Category: observation

Body Chan

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My long-awaited Body Chan figure from Bandai finally arrived. She’s meant to be an artist’s model, or as the packaging proclaims “Pursuing Character Expression through Humanoid Action.” I had hoped to use her as a modern miniatures set figure, alongside Stormy and Zilly, or maybe to even replace them. She’s incredibly posable with like 30  points of articulation (some incomprehensible), several sets of hands, and essential modern accessories: smartphone, tablet, flip phone?, laptop, gun, katana. I so wanted to love her.

But. For my purposes, she’s too distracting: very naked (although she is sculpted with underpants on), and too slight (and anorexic) — in some areas — with thighs narrower than her lower legs, and five inches tall. Too anime. (Although this is Bandai’s express intention: “By design that commitment pulled, and reproduce the optimal head and body balance in anime characters.”)

Still. Very expressive and well-made. There is a male figure available, as well — I hope assume he has his underpants on, too. Both come in two colors: pale orange (pictured) and gray, which I thought looked like the sad shadow of death.

I know I tried to use this model outside its intended purpose, and really, it’s beautifully made, and I got it on sale at half-price, and she’ll be fun to pose in unexpected locations, so I’m not totally disappointed. Maybe tomorrow, there could be a Bandai meetup with the aforementioned characters… unless it’s just too dissonant to post.

Yucca: Armatures, Protos, Colors

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It’s end of day, for now. Made some progress with the yucca exploration.

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I began with tearing brown paper into thin strips.

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And wrapping multiple layers over florist wire to build up a convincing yucca stalk-and-stem armature.

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Yucca species are varied in color, though not as much as succulents, perhaps. In miniatures, I ascribe less to slavish reproduction and more to evocation of spirit :) Starting with white cardstock for this one, each leaf end gets tipped with Winsor & Newton Promarker Sunflower and Amber, both sides.

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Broad strokes of Pear Green color each leaf.

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Both sides colored. The inks blend as they build up and mellow as they dry.

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Thin cross-leaf striping, in Moss.

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More cross-striping on the ends with Amber, and surprise leaf tipping in Poppy.

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I snipped through the lower edge, applied a thin line of glue, and began rolling the leaves up into a cluster.

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Adding a generous dab of glue to the rolled end to ensure a well-bonded base.

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Inverted in a cup of fine gravel, I let the leaf clusters dry completely. This makes arranging and styling easier — and more robust — later on.

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Clipping the end of each armature branch with pliers creates a flat surface on which to glue a leaf cluster. Holding until set ensures uprightyness :)

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Watching glue dry. Again.

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I added two more trunks, wrapping everything together at the base.

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To improve the transition from leaves to trunk, I cut sections of 7 or 8 leaves and applied glue.

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I wrapped these just below the base of the leaf/trunk join.

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All trunks wrapped with leaves, and drying. I’m awaiting a larger cylinder pot to plant this particular specimen in, before unfurling and styling the leaves — the really satisfying part.

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I’m fairly happy with the appearance and versatility of this plant concept thus far. They work well on an armature, date pit stem, or just as foliage — and any combination thereof. I even think this pattern and method could work for Sansevieria, with the right colors and a little bit of shaping.

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The next step is to explore and evaluate color stock choices, which brings us back to the first photo in this post. Above is medium green cardstock (cut with a dulling blade, resulting in torn, dragged edges and general scuzz. This particular design cut really seems to blunt a blade fast :(

This green leaf set is colored with Holly swashes and edging, and a subtle Leaf Green vertical stripe. Very different than coloring on white. Each stock seems to absorb the inks differently, as well. I’ll show some side-by-side color comparisons next time.

 

 

 

 

 

Yucca

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New project: yuccas. The trunk is cut from an organic Medjool date pit :)

yucca_proto_partsI’ve been thinking about yuccas for a while. They’re such an iconic houseplant, and here in California, many varieties grow in the landscape. Above is the design process: free form shapes cut in paper, then drawn in Illustrator and cut from cardstock with a Cricut Explore Air 2. I’ve got pretty good working models, which will be refined as I build and rebuild. Still a long way to go with colors and details.

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This is an armature from a succulent I had at the ready, and I learned a lot from messing with it as a yucca plant. There are characteristics of the tree-form varieties that will translate well in torn paper-wrapped wire. And Braxton Payne’s exquisite pottery makes for perfect containers.

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(Speaking of Braxton Payne, I just saw he’s making a Southwestern-style beehive fireplace… which I think must replace the Scandinavian-style one currently in use on the MMS+S set.)

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Yucca Proto_01 on a Peter Tucker bench. Much as I love terracotta, I think I’ll glaze this pot matte black to match the black sand. And then switch to lighter color sand for future specimens. Imagine this plant much taller and more gracefully limbed. Getting back to work now.

 

Alcatraz Afternoon

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There’s a 1:87 scale model of Alcatraz Island at Pier 33. (You can get a good overview of the model in this video made by Family Travel Fun.) The guard tower in the dock area was especially well done.

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Poking around the island and its buildings is a compelling and visceral history lesson. This trip I became interested in the textures of decay. Here is a light on the Electrical Repair Shop, just past the Guardhouse and Sally Port.

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An interior light switch in the New Industries Building.

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A map of peeling paint on a cement support column.

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Overseen by pipes, velveted in rust.

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There was a new art installation in the New Industries Building, but I found this partial view more interesting.

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A busted sink and commode. And pipes.

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Closer to the sink. It looks friendly.

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Looking north towards Marin, the remains of the Post Exchange, built in 1910, as a general store for soldiers and their families. (When Alcatraz became a federal prison in 1934, the PX was converted into a recreation hall and officer’s club, with a dance floor, gymnasium, two-lane bowling alley and soda fountain.) It was destroyed in a fire in 1970.

The quotation on May’s welcome page, “New ideas need old buildings” is from Jane Jacobs.

Sensational Travel Journals

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Oscar Wilde wrote, “I never travel without my diary. One should always have something sensational to read on the train.”

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In that spirit, the OE Travel Journals kits are available over at MMS+S. There are two kit options listed, and one secret option at hand. The two listed options are for three blank journals, or one road atlas and two blank journals. I’ve made a video of the secret option:

YES. It is a secret gatefold pages option for both the sketchbooks and the travel journals. They work well with the single pages and maps, and are fun besides. Just add a note when ordering and I’ll include as many as you like with your kit/s, until I’m able to list them properly. Though they won’t be secret anymore, they’ll still be fun.

Production notes: If you like quiet page-turning fx, turn your sound on. The alarming bandage: I bashed my poor knuckle on a boulder rock emptying a cement bird bath. I tried to keep it out of the frame, but it’s like it has a mind of its own.

Sketchbooks Listed, Echeveria Eyecandy

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sketchbook_kit_contents

The sketchbooks are kitted and listed! Each kit makes three books. The pages are cream-colored and acid-free :) You have a choice of cover colors: black, Warm (orange, yellow and gray) or kraft. I went detailed on the instructions, and introduce a good vocabulary word: bifolium (singular); bifolia (plural).

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Here are three sketchbooks in Warm, before their bookmarks get trimmed.

I was shuffling around outside, pulling weeds between storms, and noticed this leggy echeveria on the shadier side of the yard is working on a flower display.

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Buds closeup:

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Love these colors. And just before it started raining again, (wind blowing, hard to focus) this closeup of a hen-and-chicks echeveria flower:

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Yum.

Where I’m At

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Between my good fortune of building MagnaTiles by the first warm light of morning with a four-year-old adept…

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… and extended bouts of staring at the walls, change is ahand and afoot here in Nancyland, in the best possible way. The Office Essentials suite of kits over at MMS+S is still imminent, plus of course I still keep thinking up more essentials — the quintessential journal?! — and wait, a graceful, worthwhile pencil cup! But, and so you see. However. The newest edition of the inspirational newsletter Cut, Fold + Make is about to be released, and I think the wee pencil cup plans will be the giveaway. Please sign up if you’ve not already.

You know that feeling of being drawn in several different directions, all good, all at once? A bounty of opportunity and satisfaction. I choose this way :)

Same As It Ever Was

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The late night sorties continue, despite my best defenses.

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This just made me laugh out loud; she so looks like Alice in Wonderland/Grace Slick doing “One pill makes you larger, and…”

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Zilly and Stormy continue to meet up after work, and are really enjoying getting to know one another. Here they are, chatting away, sitting on what I refer to as the “floral footstools of anxiety”. It’s got nothing to do with them, and is a story for perhaps another time? The fabric, however, is fabulous: “London Calling” from Studio RK for Robert Kaufman. I want to reupholster everything in it.

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For my birthday I purchased a set of lenses for my iPhone from Photojojo. I’ve not had much time to purposely explore them — it’s not even quite my birthday yet— but here are a few snapshots.

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I was most interested in the macro and telephoto, but could not resist the fisheyes and filter lenses. Above is EC01 Echeveria, looking fabulous larger than miniature life-size.

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These are very lively moss flowers, less than a half-inch tall, growing on the backyard retaining wall, as seen through the macro lens. Who know spores had EYES?!

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And here is either the fisheye or super fisheye, good for laughs and turning one’s home into a hobbit-hole. In the foreground are the lens boxen. I heartily recommend!

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I’m about to go south, and then north, for a couple of days. I wrote and photographed the instructions and listing for the first of the MMS+S Office Essentials, in colorway “Warm” today, but will hold off actually listing them at MMS+S until I return and have a chance to kit and document the whole series.

The south part is to my family in Santa Cruz, and the north part is to a *very* special tour my delightful husband has managed to arrange, of a very special archive of amazing artifacts, all housed on a fairyland ranch that is so sprawling and gorgeous it takes one’s breath away. (And/or, is typically Northern Californian.) Happy birthday to me, and all the March babies!

Yikes

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The new issue of the newsletter Cut, Fold + Make just went out and I forgot to harangue you to subscribe, if you’ve not already done so. There’s a complementary 1:12 scale vertical file holder template, as well as some inspirational and obscure links of creative goodness. Don’t make my imaginary business coach scold me.

It’s chilly nights here in coastal Northern California— as is seasonally appropriate — and Scarlett is taking comfort as she finds it, in recently vacated slippers.