Echeveria!

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Been making California poppy and echeveria planters for a little while now.

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I first learned how to make echeveria from this wonderful tutorial by Annie Christensen of We Love Miniatures. She uses brushed pastels at the end to tint the leaves. All the succulents in the Argo Wool Works foundation plantings were made using her method.

Lately, I’ve taken to using markers to tint and edge the various shapes punched from cardstock painted with acrylic wash, as seen above.

Also, do you see those footed flat clay planters? They’re from Falcon Miniatures, made in Thailand, and seem no longer available. If any of you know a source, I’d be very stoked :)

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This afternoon I was fooling around, searching for some new shapes from the limited punches I have. I covered a bottle brush seed pod with overlapping petal shapes, and set that in a base of cupped leaves. Then I stuffed an emerging flower shape in the apex hole — I really need to look up the correct botanical terms — and… a new, fairly convincing succulent/cactus hybrid variety was born! I’m quite pleased with its appearance and will post a step-by, after I get a manicure :)

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This picture of Scarlett nuzzling into Albie expresses my joy. I expect one day to stop posting so very many cat pictures, but she is so stinking cute and delightful…

 

Do-overs

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Last night after woods class, I was all excited to finish the Argo Wool Works samples wall chart. I had designed it and punched quarter-inch circles from all the wool felt colors I had earlier in the day.

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After gluing them on, I realized they were just too big :(

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Today I re-worked the chart and punched out another batch of eighth-inch samples. I would have considered 3/16-inch, but that punch is somewhere I cannot find :/

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As I mentioned, I’ve had to cover the build with a carefully folded and tucked sheet secured with binder clips, to prevent Scarlett from demolishing it. Alas, her super-burrowing powers have proven superior to my defense effort. This is her wondering why I’m using my big voice?

AWW Sample Binders

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A showroom needs sample binders.

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I have never liked using wood blanks for book pages, even for volumes that will never be taken from a case. It feels like cheating to me. So I made blank binder book blocks to fill the covers.

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I did not glue the accordion-style pages together. The resulting sproinginess will help expand the binder covers and hold them in the shelves.

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However. Making all blank pages also felt like cheating, so I made one binder meant to be opened. I drew a simple grid on the pages and punched eighth-inch (3 mm) circles from wool felt, which were then glued to a spread. So expressive and tactile!

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Arrayed in the cases and on the work table, with another samples binder, glued closed.

Here in Northern California, we’re having our first rainfall in seven months. The light is damp gray and moody. The cats are waiting out the storm in suspended animation, with one notable difference.

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Before the arrival of Scarlett, the two older boy cats never co-slept, although they are buddies. This seems to have changed, as they unite in weary affront to kittenish enthusiasms. Looks to be a cozy winter coming :)

Starla Argo

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Introducing Starla Argo, a seven-point celestial, who lives in the semi-autobiographical North Coast community all my builds inhabit.

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This is a first prototype and is not fully felted or finessed. I’m happy with the proportions, but want to try out some different construction techniques for the star rays, as well as highlight colors.

I also just learned about Paverpol Craft Medium, a liquid textile hardener that seems perfect for preserving details. I want to read a bit more about it, and then check it out!

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The “tin” sign above the cubbies is this old yarn label I found at the Graphics Fairy, then tinted with watercolor and glued to a flattened wine lead foil.

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The pair of porcelain sheep figurines on the back wall bookcases are feves from ValueArtifacts. For which I credit and blame our dear reader Barbara W for my growing obsession. If you’ve not visited the shop, there are some treasures to be had. The tiny fish pitcher on the table is from there, as well as the sleek white and black mid-century cat duo in the front left corner.

Equivalents Homage

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Inspired by the great 1938 poster in my wood working class, I was motivated to make my own version for picas and points. It’s the traditional measurement system of graphic design, but it also works really well (as I’ve pointed out before) for 1:12 scale building plans. Six picas to the inch, twelve points to a pica. Enjoy :)

Equivalents

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Wonderful poster from 1938, hanging in woodshop class. In case, for instance, you needed to know at a glance the decimal equivalent of 43/64. I’m especially fond of the way numeral two is drawn, graceful as a swan.

Wroughting Iron, Again

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The human hand often makes the best gluing jig, yes? After considerable deliberation about style, I’m making a salvaged wrought iron railing for the wee balcony off the Argo Wool Works showroom. These are portions of the same laser cut panels from JMG Miniatures used in the Sea House Warming Hut. The best thing about making “vintage” wrought iron is the globbier the glue and the cruddier the paint job, the more scale authenticity.

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Observe my current working conditions. The railing joints are reinforced with black paper brackets and “bolts”, which add tremendous stability to the fragile structure.

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Scarlett was on her way to inspect my suspiciously-tinkling glass of white wine (Layer Cake Sauvignon Blanc, vintage 2015, lovely). Soon after, she sat down on the many 1/16-inch punched bolts (and x-acto knife, etc.) which clung to her fur and trailed after as she sped on to the next investigation. (The dots clung, not the knife :)

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The railing installed, with mounting brackets. It appears a bit too “freshly painted”, so I want to hunt down some examples in the wild to see how they oxidize. But not too much. Structural integrity is important :) Also made brackets for the scythe from Sir Thomas Thumb, which will support some sort of sign. Perhaps Lasciate ogne speranza, voi ch’intrate?

Nah. Probably just Argo Wool Works.

Argo Wool Works, Plastic Litter Collage, Scarlett

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After serious depredation wrought between new kitten and granddaughter, I had to relocate the Argo Wool Works build from my worktable to a higher shelf. This made working on it difficult, and me sad.

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Frustrated, I’ve moved it back to the worktable, and hope to protect it from marauders by covering with a dropcloth when I’m not present to defend it.

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I made small progress with the lights.

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And spent considerable time thinking anew about the interior.

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In other news, the plastic litter collage is complete, and made its debut in the Pacifica Beach Coalition booth at the 31st annual Fogfest celebration. I noticed it suffered some depredation of its own, as it came back with some pieces missing. Seriously, who steals trash art?!

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Scarlett is three months old, and thriving. Our older boy cats have resigned themselves to her presence, tolerating, and even initiating play.

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Here she is complaining about a recent heat wave, from her in perch in another relocated (and depredated) build, my first-ever Loft (1)961.

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Wish me luck!

 

 

 

Nope.

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I am not going to meet the HBS bloggers build deadline for September 26, 2016, and I am using cute kitten photos to distract from my mingled sense of failure, regret and self loathing.

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I *have* met all my work and all most of my volunteer deadlines.

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Feel free to judge me, but look at my belly first :)

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Though I will continue — and finish —  the build, I’m more than a bit scattered and distracted with other projects.

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Sweet dreams, best beloveds.