Boxen

scene

Gee golly gosh oh man golly, does taking something to market take some time? Answer: yes. Not complaining; I want to get it right as right as I can make it can be.

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Up in the MMS+S shop today are three cardboard box kits. Three sizes of boxen, each the epitome of scale fidelity and utility. If you didn’t know you needed these before, well, it will soon become apparent.

I’m pretty much over my basket weaving overload aversion, and am looking forward to bringing the mildly-redesigned Toto basket into production. Priority: next.

Thank you, thank you all for your support and interest. You make a difference.

New +Sundries

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We’ve been engrossed in producing things around here, and the studio is a mess. Piles of papers and things on every surface. The answer is miniature file folders, in many colors, including classic manila.

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They’re available now over at MMS+S, part of a new line of miniature office supplies.

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The precut folders are packaged in a “kit” of a dozen 13 — all you do is fold on the score line :) They will also be available packaged in a custom box, (which will also also be available as a kit) along with some other boxes and sundries. Because good studios and offices need them, to be tidy studios and offices.

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Figuring out box design dimensions, assembly, and cut and score lines. Getting more proficient at drawing in ways that translate well to SVG. Really appreciate the scoring tool feature of the Cricut machine.

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Model building, instruction writing, label design, photography and kitting are all in various stages of completion. (For the Toto basket, too! And delightful hen-and-chicks succulents.) I am closing my eyes and tapping my heels together three times. And thinking to myself …

Lime Spice, Liners, Soon, Stretch

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Last night, I thought this color combination was a really good idea. Note my test markers in the lower right corner… I rejected better colors for the jolt of lime. Tsk. But all is not wasted. I refined the Toto basket handle assembly, and experimented with interior/exterior color differences.

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Which led me to this, this morning. I’ve been holding onto this fabulous piece of wrapping paper for some years, creases, tape and all. With the sticky mats of the Cricut machine, I sacrificed precision of placement for precision of cutting.

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Perfectionist me was disappointed, but do it me did something.

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Basket liners! I don’t know why I thought the wrapping paper offcut would make a good photo background, but here you can mostly see three of the round lidded baskets, stained golden oak, dark walnut and cherry, with their new bling liners. I quite like the contrast between understated exterior and patterned inside. And, as a technique! I encourage you to explore.

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The new basket kits require larger packaging, which necessitates a different form for the instructions and mailer. Here is a ’neak preview of the thing. The weather forecast is for clear skies tomorrow, so I’m hoping to finish the instructions photography then. And then, then, actually list them in the shop!

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Finally, of course, Scarlett. I’ve shown remarkable restraint in not posting multi-daily photos of her adorableness. At almost seven months old, she’s approaching cat teenhood. The best thing to have happened to the harmony of our multi-species family is her access to the great outdoors. She still torments the two older cat boys relentlessly, but a lot of her alpha ways are absorbed in bug-and-other hunting and exploration. And she’s still got that crazy striped lemur tail.

Prototyping Complete

purple

Feeling confident about the rightness of the basket kit patterns, I move on to test-coloring the white base cardstock. My charming husband gifted me a set of Winsor & Newton water colour markers, and I’ve been eager to use them. This is, um, not exactly — nor even close to — fine art, but watercolor tints differently than either stain or alcohol markers. I used an intentional kind of crosshatch to fill the larger pieces. Gorgeous color/colour, yeah? W&N Mauve 398.

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I built the purple mauve watercolor basket, and moved on to an alcohol marker. These bleed and blend much more readily into the cardstock. W&N Pear Green Y635.

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Here are our happy fellows to date. In this picture you can see the difference between the heavier-weight yellow basket, and the slightly lighter-weight, tinted and white cardstock ones.

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I realized that tinting the outer edges of the lid pieces (even though they are eventually covered) helps mask any gluing misalignment, so had to test-make one more basket. This is W&N alcohol marker Duck Egg.

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And here are the last two basket prototypes, with some hen succulents, held up to the last of our stormy, freaky light. I noticed a similarity between the terracing of our wee hillside backyard, and the woven fabric of the baskets. Huh.

Newsletter, Calendar, Party

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There’s a new issue of my newsletter Cut, Fold + Make going out tonight that includes a modern miniature calendar for you to make.

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It’s a quick and simple project.

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You can sign up to receive it with the newsletter link on the right.

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It’s a good  way to keep track of yourself in sequential time.

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And, there’s a party going on to celebrate the new year and new pergola being built at Modern Miniature Succulents + Sundries. All the furniture from Sea House Warming Hut has been dragged over, and there’s a beach driftwood fire blazing, as well as festive beverages. Come on by! It’s been too long since we’ve all hung out together.

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PS: Godzilla will be there.

 

MMS+S Signage

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I continue to explore what works and what does not on the Cricut Explore Air 2. I’ve not yet moved beyond cardstock. I wanted to make signage for the courtyard set. This is my first attempt at cutting a sign 2.25 inches (5.7 cm) square. Lessons learned.

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I scaled up to almost four inches, and it cut beautifully.

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Here is the sign, 23 picas square, released from the sticky mat. I glued a nice piece of translucent plastic salvaged from Japanese rice cracker packaging to the back, and cut lengths of 1/4-inch basswood for the top and bottom.

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The finished sign. At least for now.

hens test

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Hen and chicks are one of the first succulents I fell in love with, so this design is dear to my heart. And I felt like a right genius because I figured out how to get the machine to cut a hole in each center. It is not an automatic process and involves what Cricut calls “attaching” layers. (The above holes are three points in diameter; I’ve since upped it to four.)

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This is the fun part. Removing the waste from the sticky mat makes a musical plinking sound that is very satisfying. And as I soon learned and as Nora suggested, it’s far easier to remove the cut shapes after the mat has been “de-sticked” a bit — which seems to happen with use.

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Color test and shaping. The little point on the end of each leaf adds such sweet realism. My inspiration:

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These guys are in a bit more shade now in my early winter backyard, so they’ve lost most of their edge-leaf color.

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Prototype hen. Next up is to draft a smaller-leaved pattern set for the chicks, so we can build happy succulent families. This one is about 5/8-inch (16 mm) across.

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And this is how I’m keeping all the very many parts organized and identified. I’ve long kept a stash of these useful little containers from takeout food, but ran out quickly. Dollar store to the rescue! Ten cups with lids/$1. I should probably cost them out in greater quantities :(

 

Testing

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I drew some succulent patterns in Illustrator and exported them as SVG. The Cricut Design Space, the app the cutter uses, is fairly straight forward and easy to navigate. First cuts! The sticky cutting mat smells like a toxic headache, though.

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Here’s the first batch. The software arranges the cuts for best use of the material.

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By far the most difficult and tedious task is removing my many, many small shapes from the cutting mat.

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A proposed stack. As it turns out, the two 11-leaved pieces don’t work well at all for miniature succulents.

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Here’s a first model and prototype. I’ll need to make some several before I work out the best construction techniques.

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After revising the patterns, I cut a 12 x 12-inch sheet of colored stock. That’s a lot of prying off to do. Best tool I’ve used thus far is a thin, flexible wedge-shaped palette knife. The next thing I want to determine is if the pen can have a broader tip, and can outline the cut line, and hold registration with the cutter. Learning!

New Echeveria Kit in Development

ec01_color_113016Experimenting with color for a new echeveria kit for the shop. This is two shades of green and an orange on white stock.

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Shaping with a fine point stylus.

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Trying out construction techniques and build sequences. This succulent is wonderfully small, just a half-inch (13 mm) in diameter.

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The first issue of my newsletter, Cut, Fold + Make, goes out tonight! Look for it in your inbox on the first of each month. Included is a free pattern to make these iconic, and very versatile little paper houses.

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And possibly most exciting of all the things: this just arrived. Let’s get started.

 

 

Redirect

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First light, and we’re continuing to enjoy some much-needed rain here in Northern California. There’s bustle going on downstairs in the studio, but it’s uninteresting compared to Scarlett, sleeping off an early morning foray into the great suburban outdoors.

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In that respect, her explorations are not that different to my own, except I’m neither five months old nor a cat. No matter how much I wish.

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Still. She approaches her new domain with seemingly equal amounts of enthusiasm and caution.

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I want to be like Scarlett. Especially the perfect nap part.