Tag: measurements

Sea House Conservatory: Tiled Floor

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I painted a couple of sheets of 11 by 15-inch 140 lb. cold press watercolor paper with washes and splats of neutral gray, tan and yellow oxide acrylics, then pressed them flat between two drawing boards weighted with books.

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The tile pattern and grout lines were refined through several test cuts and pasteups. I added a 3-point corner radius to the tiles to suggest age and wear.

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After a few more test cuts, I loaded the painted watercolor paper and began cutting tiles. Because this paper requires three passes of the deep cut blade for each tile, I used masking tape on the edges to hold the thick paper to the cut mat to ensure adhesion. (Lessons learned through bitter informative experience.)

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I’m gluing the individual tiles to prints of the pattern layout showing the grout lines. The process is far less tedious than I anticipated, a pleasant surprise. It *may be* that I won’t have to actually add grout after they’re all assembled and adhered to the subfloor. I plan to add one final light gray wash and some delicate speckling to the whole floor to unite the separate assemblies. And with pressing and a coat or two of matte varnish… we shall see.

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The final tile floor won’t be put in place for some time — so much painting to do! — and the ideas for its total design still floating need not be finalized at this point. Which is good, because I’m still kind of all over the place, design-influence-wise. Right now I’m trending from Art Deco back to Bauhaus, and how that might all fit in with the larger Sea House story, sea level rise, and a crow named Clary.

Funk, ABChallenge, Mudroom

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I’ve been in a bit of a creative funk recently. It feels like Scarlett looks.

(Even though what she’s really signaling here is, “If I don’t make eye contact with you, you can’t see that I’m up here again, biting on the lead blade of the scythe and chewing the potted palms.)

My symptoms of creative funk include seeing everything I do as crap, simultaneous restlessness and fatigue, dropping things on the floor even more than usual, and a sense of dullness.

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In a creative funk, even though many wonderful things continue to occur, like finding surprise! beautiful flowers on the doorstep, like magic… well, actually, unexpected kindness does wonders for boosting spirits.

I know to keep breathing through a funk, not push too hard, to listen. Go for walks. Take naps. Soon, I’ll issue the funk an invitation to tea.

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I decided some arbitrary and not-too-difficult challenge practice might help, so I started ABChallenge: Take or draw a picture representing every letter of the alphabet, in order from A to Z. Nothing stupid like every day, but don’t be lazy. Why not do it with me? Then we’ll have something to talk about.

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I finished the mudroom in the Sea Rise Pavilion remodel, meant to be a shrine for the pieces from Charlene’s Legacy that Keli gifted me us. Here it is the late night of completion, with cruddy lighting.

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As seen from the interior.

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And through the open back door in the fresh light of morning.

Funk slumps happen to us all, I think. What do you do when you find yourself in one?

A Surprise Mudroom, Keli’s Flowers

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The new year brings gifts of change, and gifts of gifts. I have scrapped the idea of a shower room in the Sea Rise Sea House Pavilion remodel, opting instead for a mudroom back entrance. Specifically, to act as a showroom for the gifts from Charlene’s legacy that Keli has bestowed.

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A mudroom fits right in to the spirit of the build, and believe me, these pieces from Charlene’s collection are exquisitely detailed and realized.

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I’ll show more detail on the actual pieces after I’m not so caught up in building the mudroom. Shown here are waders, completely handmade from very thin leather, paint and wire buckles. Tiny black seed beads for suspender fasteners. One of three (!) uh, two fishing poles, made of metal, wood, wire and magic. The tackle box will be the subject of its whole own post — there are tied lures with real feathers, and other stuff only fisherfolk know about.

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These are flowers realized by Keli from the EC01 Echeveria kit at Modern Miniature Succulents + Sundries. Wow, wow, wow. She made the leaves and sepals, and arranged them in a vase with microbeads.

They reminded me of proteas, and so now I’m all researching and sketching for a new kit. Thank you, Keli, for sharing the rich wonder of Charlene’s legacy, *and* for sparking a brilliant idea for a wonderful, waterwise flowering plant that plays very well with succulents.

Humble Lighting, Cats

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I got my lighting order from Evan Design: replacement chip LEDs for the under shelf, and five 3mm LEDs for the pot lights (3/16-inch brushed aluminum eyelets) in the ceiling. Look at how warm the “warm white” is!

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And gah! Look at what a tangle the backside is. There’s five chip LEDs (the tiny red and green magnet wires) and five 3mm LEDs, wired to two 3V battery holder/switches. I’m posting this in all humility and baby steps learning. I *will* get better at wire stripping and making elegant connections. Because how I love learning new things?! Even though I cringe at being clumsy and awkward doing so.

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Speaking of elegant connections… I went to post this at my main workstation, but found Scarlett snugged in my chair (and absorbing the under desk Dyson heater warmth). Of course I could not disturb her, so I retreated to the couch with my laptop.

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And there was Albie, snugged into a fresh, warm load of laundry waiting to be folded. So now I’m arrayed on the other end of the couch, with laptop, phone, sketchbook, freshly sharpened Blackwing pencil, two reference books, a baggie of lighting components, and a glass of wine, all amid the piles of half-folded laundry. Same as it ever was,

Boxen, Handles, Slipcases

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There’s a new set of boxes over at MMS+S, reminiscent of the “dish pack” size, for all your miniature packing needs.

I installed ELF handles set in reversed eyelets on the Sea Rise Pavilion front doors, and then glued the whole panel into the frame. I think I’ve finally worked out which components will be attached together, and which will remain removable. Rethinking having the hydroponics inside the greenhouse; they might get moved to the lower back utility deck. There is still much I don’t know.

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Working on a simple slipcase kit to fit single and triple sketchbooks, in the classic and smaller sizes. Adds a nice finishing touch, and keeps your shelves and bookcases looking tidy. (And yes, that’s an April Wright mug — her pottery is wonderful! The wee bear bowls being used as bookends are feves from Laurel’s ValueARTifacts shop.)

Other stuff in progress and in sketch phase, brimming and swimming with ideas and plans. Focusing now on finishing up work projects for the year, and spending the holidays with family, and taking some time off.

Be good to yourselves, dear imaginary friends!

 

 

 

Sea House Pavilion Remodel: Flitting About

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I finished planking the Sea House Pavilion front entry remodel — though there are still stain touchups to do. This build is very different in that components will remain modular, to facilitate access and photography, rather than be a single, connected structure.

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Inside walls are stained eggshell white. The main living area ceiling (the underside of the sleeping loft) is in, made from bead-board paneling. (Here barely seen, as IRL).

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You can glimpse the original Pavilion roof ceiling, now lifted to accommodate the sleeping loft.

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A view of the sleeping loft addition, and a roughed-in kitchen wing and shower stall (fireplace removed.)

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After deliberation, I chose varnished cork for the sleeping loft floor, which occupies three bays. Many more decisions remain, especially since I’m thinking ‘nest’ rather than traditional bedroom. Think ‘sleeping in a pile’ (my favorite!) from Where The Wild Things Are. Because post-sea-level-rise living will probably benefit from that.

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I made my first-ever ELF Miniatures order, for this kitchen trolley kit, as well as an under-counter sink and 2-burner stovetop surface for the kitchen wing. I am smitten.

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The kitchen wing occupies two bays, and will have a countertop with sink, prep area and the two-burner electric stove (powered by rooftop solar panels.) There’ll be non-opening cupboards below, and an under-counter refrigerator. Two walls are paneled in horizontal bead-board, to which there will be shelves attached; the third wall is papered in the same vintage San Francisco map as the ceiling. The window is made from this weird thick glass disc, a bag of which I found in the crap/craft store.

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Moving on to greenhouse hydroponics. I did a bunch of research to arrive at an aggregate vision of what a system might look like on an off-the-grid tiny home scale. The grow vats are restaurant jam tubs. I made some wonderful Georgie Steeds lettuce and cabbage kits, and from there worked out optimum growing layouts. I fiddled with the vat top layouts, and used the Cricut machine to cut the final patterns.

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I noticed many hydroponic systems had these sort of “grow rings” around the cutouts. They appeal to my graphic sensibility, so I laboriously added them to the system. They can barely be seen beneath the lush growth, but we and the devas know they are there.

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To the greenhouse I added rails and slats to support the grow vats. I’m experimenting with wire and shrink tubing to evoke a water and nutrient circulation system. One of the challenges is keeping each of the wings modular, yet connected as a whole. In that the greenhouse and kitchen wings need to connect to the solar panels and water collection systems located on the pavilion roof and aft deck. As do the roof gutters need to funnel rainwater into the cisterns located under the pavilion. And so on.

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I leave you with a view of Georgie Steeds’ Nasturtium kit. It’s just barely finished, plonked in a Braxton Payne pot and glop-waxed to the bench. I love nasturtiums; they’re ubiquitous in NorCal gardens. I’d very much like to twine these throughout the greenhouse wing, while also keeping it detachable. We’ll see.

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Sea House Pavilion Remodel: Front Entry

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Work has begun on framing in the front entry, using 3/8-inch stock to match the existing structure. I chose a set of Houseworks French doors, installed backwards so they open outward. There will be a 5-inch wide transom window above. The door woodwork is finished in an eggshell white stain, and the two side panels will be reclaimed weathered gray horizontal planking.

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I got curious about the line weights in intricate pattern that I might successfully cut (and remove from the mat) on the Cricut, and got down to 6 points (.083-inch / 2.1 mm). This seems a good scale for the narrow panels of the doors and transom (the greenhouse window leading is 9 points (.125- inch / 3.2 mm).

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The difference in scale between the front doors and the greenhouse windows makes sense (especially now that I know I can cut finer line weights). The interior front wall will be planked in the eggshell white stain, with a matte varnish.

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Now I’m thinking on how the ceiling between the main floor and the sleeping loft will work, and how to finish out the fireplace through to the roof — some tricksy geometries. I ordered a bunch of vegetable kits from Georgie Steeds at The Miniature Garden — my favorite miniature plant kit purveyor — to populate the long shelf in the greenhouse. The interior greenhouse windows are open to the room so the potted trees can reach out.

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Also, how is it almost November?!

 

 

 

Sea House Pavilion Remodel: Greenhouse Wing Leaded Glass Windows Complete

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The leaded glass windows for the Sea House Pavilion greenhouse wing are completed and installed.

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Here’s a mildly different view. (It’s late, and my studio lighting is rubbish.) But if you were the caretaker of an historic heritage seaside resort that was abandoned because of sea level rise, wouldn’t you want a place to grow fresh greens and fruit to supplement your subsistence gatherer lifestyle?

I know I would.

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And I would want it to be beautiful.

 

Sometimes, things work out better than hoped for

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The topic of this and last week’s Santa Cruz commute thinking time was about how to render the Sea Rise Sea House Pavilion’s greenhouse windows. I knew I wanted to do something leaded (or leaded-esque), and I knew the inevitable off-square measurements of the actual structure would be a nightmare to fit.

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I’ve built two wing extensions on either side of the main deck to increase the living space area. One side is the greenhouse, and the other will be the shower and sleeping alcove. For the greenhouse leaded glass, I drew my designs using 9-point (1/8-inch) lines, which seem reasonably robust for a seaward structure. They’re cut from black cardstock, and glued front and back to non-glare Plaskolite, which provides a semi-opaque — and salt-spray burnished — surface.

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My initial approach was to tediously center the Plaskolite within the 3/16-inch framing. (Of course if I was more dedicated, I would have routed a channel in the one million each of the frames, or, have built them with three layers of stock. But I’m not.) As I was fiddling about with measurements and drawing and cutting prototypes, I realized the best — and squarest — way is to cut the panes and cardstock leading a scant larger than the outside window openings, and glue them atop the frames. Then, trim out with thin strip wood.

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It looks just fine! Intentional, even. The two layers of cardstock, glued to the Plaskolite front and back, look believable. Even the little schmutzes of glue make sense in a marine environment (although they are easily cleaned up.)

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Here’s the whole structure-in-progress, including the new roof extension, which might be where the sleeping quarters wind up.

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And here is the main — or one of the many — reasons I drive down to Santa Cruz each week: for Ruby, now four months old. She lights up a room, no batteries, routing or wires required.

Sea House Pavilion Sea Rise Remodel

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Turns out — after a lot of experimentation and test builds and weathering practice and pondering and faffing about — as much as I am captivated by abandoned miniatures, I do not wish to actually build one. I felt a bit sad when I realized this, but also relieved. The pavilion remodel still has sea level rise as a core premise, but now it’s more of a retrofitted, off-the-grid, self-sufficient adaptation that’s been going on for some years. With scavenging and memorabilia. The old skiff, with its faded Sea House emblem, stays. Stormy is just passing through :)