Pavilion Remodel: Kitchen Progress

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This is the first time I’ve ever made fake “fixed door” cabinets, and I confess I feel like I cheated to achieve a look, and/or once again betrayed my core values for the sake of… <fill_in_the_blank>

However, I really do have a bigger picture for this set/build, so faux kitchen doors and drawers are just fine. I am more than pleased with the ELF sink, tap, handles and two-burner electric stovetop. After futzing with the door/drawer front layout in Illustrator, I cut all the pieces from a single length of eggshell white-stained basswood with pretty grain. I sanded the “opening” edges ever-so-slightly to distinguish, and made templates to drill for the ELF handles. Using pliers to gently make the handles fit helped a lot.

I’m still considering the lighting/windows/shelving/roof design of this module. I know, that’s a lot to still be figuring out at this stage, and welcome to my world. I’m off to Santa Cruz for a few days tomorrow, so I’ll have some good thinking time on my drive to ideate.

Also, the perfect mug and plate on the countertop is from Keli’s friend April Wright, a miniature ceramicist working in 1:12 scale.

Sea House Pavilion Remodel: Front Entry

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Work has begun on framing in the front entry, using 3/8-inch stock to match the existing structure. I chose a set of Houseworks French doors, installed backwards so they open outward. There will be a 5-inch wide transom window above. The door woodwork is finished in an eggshell white stain, and the two side panels will be reclaimed weathered gray horizontal planking.

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I got curious about the line weights in intricate pattern that I might successfully cut (and remove from the mat) on the Cricut, and got down to 6 points (.083-inch / 2.1 mm). This seems a good scale for the narrow panels of the doors and transom (the greenhouse window leading is 9 points (.125- inch / 3.2 mm).

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The difference in scale between the front doors and the greenhouse windows makes sense (especially now that I know I can cut finer line weights). The interior front wall will be planked in the eggshell white stain, with a matte varnish.

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Now I’m thinking on how the ceiling between the main floor and the sleeping loft will work, and how to finish out the fireplace through to the roof — some tricksy geometries. I ordered a bunch of vegetable kits from Georgie Steeds at The Miniature Garden — my favorite miniature plant kit purveyor — to populate the long shelf in the greenhouse. The interior greenhouse windows are open to the room so the potted trees can reach out.

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Also, how is it almost November?!

 

 

 

Sea House Pavilion Remodel: Greenhouse Wing Leaded Glass Windows Complete

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The leaded glass windows for the Sea House Pavilion greenhouse wing are completed and installed.

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Here’s a mildly different view. (It’s late, and my studio lighting is rubbish.) But if you were the caretaker of an historic heritage seaside resort that was abandoned because of sea level rise, wouldn’t you want a place to grow fresh greens and fruit to supplement your subsistence gatherer lifestyle?

I know I would.

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And I would want it to be beautiful.

 

Sea House Pavilion Sea Rise Remodel

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Turns out — after a lot of experimentation and test builds and weathering practice and pondering and faffing about — as much as I am captivated by abandoned miniatures, I do not wish to actually build one. I felt a bit sad when I realized this, but also relieved. The pavilion remodel still has sea level rise as a core premise, but now it’s more of a retrofitted, off-the-grid, self-sufficient adaptation that’s been going on for some years. With scavenging and memorabilia. The old skiff, with its faded Sea House emblem, stays. Stormy is just passing through :)

Studio Cat, It Has Begun

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I’m going to lead with this pic of Scarlett, lest you think she only haunts my endeavors. Here she is at the control center of Brian’s studio, enjoying the warmth of electronic musical components, and inexplicably enduring loud sounds and buzzing. Purple and contented.

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Last night, we had freak thunder and lightening storms, which drove all cats inside. I had dismantled the Sea House Pavilion build earlier, in preparation for the remodel. What better way to begin aging and distressing the various parts than to allow wet cats to regain their composures lounging about the structures? The roof cradle was their favorite for grooming (not pictured), and I can only hope a natural, organic weathering effect is underway.

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I used pliers and my fingers to yank all the cut silk and preserved moss foliage off the base. It was a major effort, and took a couple of goes. The whole build was constructed in three detachable parts: base, pavilion, roof. I also removed the back arched brick wall remains. Not sure if I’ll re-incorporate it into the new structure — sea level rise does take its toll. I remember it was part of the backstory of the Sea House Pavilion, and I do love combining old and new. That sense of place, the evocation of those who came before us, even as we go about our contemporary lives. We’ll see what happens.

 

An Idea Occurs

Some backstory: A long time ago, there was the Sea House Pavilion build. Good times.

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It surprise-won the Grand Prize in that year’s HBS contest. Then more stuff happened, and once again, we packed up and moved house. This time, up the coast to Pacifica. Time passed, and we got a new kitten. Whereas the older two boy cats had always ignored my work, Scarlett’s relentless depredations of all miniature endeavors, um, challenged my work flow. All the builds had to go live on top of tall bookcases.

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Here is the above-mentioned cat, now slightly less naughty, and a partial view of our north fence line, in the process of being demolished and rebuilt.

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Late this afternoon, I sat outside on the retaining wall, looking at the back of our little blu house. We’ve had some very high temperatures in the San Francisco Bay Area — like, tacky wax melting; all the miniature pictures and signs fell off walls in all the builds. Triple digits F° hot. Today was the first day it was cooler than the face of the sun possible, pleasant even, to be outside.

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Perhaps it was the temporary expansiveness of a fence-less suburban back yard… but an idea — a solution to something else entirely — occurred to me.

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The idea began when I unearthed this lovely corroded Master lock, as I was weeding and tidying up some of the excavations before the fence guys return tomorrow. Kris Compas’s post about how she dilapidates upholstery, read earlier in the day, and the steady stream of Abandoned Miniatures in my FB feed no doubt contributed to my thinkings.

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2+2=5 was playing as I wrote :)

So the idea to reimagine the Sea House Pavilion as “a post-sea level rise coastal squat” may be the solution — a transformation — to the problem of housing all these builds. Just keep remodeling them! And I get to do research and problem solving and learn by doing new techniques! My favorite things! There’s still Scarlett to reckon with, of course, but she may turn out to be my assistant disheveler.

Rousseau 1:12 Mural First Cuts

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I sketched out and constructed a palm plant motif in Illustrator, then reversed a copy of it to make the most of the painted papers.

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Here are my first cuts of the pattern from two of the painted papers, flung onto the wall. I was working against the losing of the light (because hey, Game of Thrones). They will work splendidly as a middle background layer, when arranged.

Still undecided how I will stick them down.

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It took me a couple of cuts to get it right, but here is what a (partial) painted paper looks like after four passes of cutting. Still plenty of material for hand cutting parts available.

 

Albie, Yucca, Frustration

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This is Albie, absorbing the morning sun through the studio sliding doors. Our large middle cat, he is a handsome warm inky black, and very difficult to photograph. This one has zero interest in destroying miniatures.

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Re-working the Modern Miniature Succulents + Sundries set a bit. I built a corner planter for specimens, and glued in one yucca tree with the new, narrower leaves. For the rest, I want to keep the plantings fluid and easy to change out, so I devised a kind of armature on the stalks of rolled brown paper for elevation. They are planted to the floor with tacky wax.

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Here’s how it looks planted out, and with other plants massed around, like a typical nursery.

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Still experimenting with colorways on the different stocks. This is the original shape leaf cluster in medium green, with leaf and pine markers. After the glue is set, the leaves are separated and arrayed.

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Here is a similar leaf cluster, scored down the middle with the back of an Xacto knife. it makes it into a whole other plant.

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Here they are side-by-side. So much potential!

And now for the frustration rant: Cricut has released a new version of their Design Space app that has inexplicably broken my SVG files — the format for my drawings used to cut all these shapes. I have been in close contact with their support staff for the last two weeks, but no answers, fixes or workarounds yet. I even abandoned Firefox for Google Chrome. It is all very tedious, time wasting and — frustrating.

Alcatraz Afternoon

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There’s a 1:87 scale model of Alcatraz Island at Pier 33. (You can get a good overview of the model in this video made by Family Travel Fun.) The guard tower in the dock area was especially well done.

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Poking around the island and its buildings is a compelling and visceral history lesson. This trip I became interested in the textures of decay. Here is a light on the Electrical Repair Shop, just past the Guardhouse and Sally Port.

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An interior light switch in the New Industries Building.

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A map of peeling paint on a cement support column.

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Overseen by pipes, velveted in rust.

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There was a new art installation in the New Industries Building, but I found this partial view more interesting.

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A busted sink and commode. And pipes.

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Closer to the sink. It looks friendly.

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Looking north towards Marin, the remains of the Post Exchange, built in 1910, as a general store for soldiers and their families. (When Alcatraz became a federal prison in 1934, the PX was converted into a recreation hall and officer’s club, with a dance floor, gymnasium, two-lane bowling alley and soda fountain.) It was destroyed in a fire in 1970.

The quotation on May’s welcome page, “New ideas need old buildings” is from Jane Jacobs.