Warming Hut Deck Extension

Mockup of the Warming Hut deck extension, with a little Photoshop tomfoolery

Mockup of the Warming Hut deck extension, with a little Photoshop tomfoolery

The Sea House Warming Hut is snugged into a rocky outcrop on the cliffs, and will have an L-shaped front deck. Here’s a cardboard mockup of the extension, with the Bruce Dawson benches in place for scale.

I drew a plan in Illustrator to work out the measurements, based on the 5/8-inch square poplar I’ll use for the additional foundation and the supporting pillars. I like using Illustrator because I can enter exact dimensions, and easily move stuff around.

Deck extension plan (not to code)

Deck extension plan (not to code)

The exterior siding is going to run horizontally, and my plan is to wrap it around the curved deck wall in a seamless run. We’ll see how that goes.

There will be a wide stair leading up to the entry, either of wood or stone. Going to try the salt trick on the painted air-dry clay boulders and bedrock that supports the entire hut. And to top it all off, a living roof of moss, grasses and California poppies :) I ordered some flower kits from Georgie Steeds’ Miniature Garden Center Etsy shop. Love her stuff, as well as SDK Miniatures’ kits. HBS/miniatures.com used to carry some of the SDK kits, not sure if they still do.

I knew you were wondering. The rock formations you see in the ocean shot above is Pedro Point, southern-most in Pacifica, as seen from the cliffs at Mussel Rock, to the north.

a wealth of opportunity

modern miniatures

The limited edition 2015 HBS/miniatures.com Creatin’ Contest starting kit

Like some of the other miniaturists who were enticed to participate in HBS/miniatures.com build blog-along, I had already purchased and begun to build this year’s starting kit. And I’ll enter the Sea House Warming Hut in the contest come December 16, even though I have no aspiration of winning, having been honored with the Grand Prize in 2013 for my Sea House Pavilion. (Note to all those who don’t enter their projects because you think you have no chance: no one was more astonished to win than I was. Truly. So show your work and enter! It’s way fun.)

So what to do with this second kit provided by HBS?

Much as I’d like to, I haven’t the time (or space) to do another project. I’d like to offer the kit as encouragement to anyone who might be hesitant to enter the contest, or undertake miniature world building. Leave a comment, and I’ll randomly draw a name on Tuesday, March 31, 2015 from those who respond. I ask only that you consider using the kit to enter the contest, and that you pay shipping costs (I’m in Northern California, and the kit weighs about 11 pounds). What say you?

modern miniatures

Perfect furniture by Bruce Dawson, who has shuttered his studio and is closing out inventory :(

Not a lot of progress on the Warming Hut, what with all the March birthday celebrations.

I did see that one of my favorite miniature furniture builders, Bruce Dawson, is retiring (again) and closing out all his inventory through his Etsy shop bedMiniatures. Shown above are the unpainted 1:12 basswood items I picked up. (He has some half-inch scale pieces as well.) Do check out his shop. His prices are more than reasonable. There are still a few cherry Mission style tables and bookcases that are especially wonderful. Don’t miss this opportunity! You’ll be very, very glad.

Warming Hut Paint Prep

Warming Hut nancyland.com

There are many, many sides of many windows that must be masked, with many small strips of masking tape. But still, the paint will leak.

With 90 percent honesty, prepping and painting miniature woodwork is as tedious as prepping and painting their full-size counterparts. For the Sea House Warming Hut, I considered staining all the trim — a mildly less tedious process — using the same Minwax Classic Gray that the exterior cladding will be. Instead, I opted to paint a semigloss “Simply White” for contrast. My impatient paint application suggests the multiple paint layers slapped on over the years in an effort to preserve coastal buildings from salty corrosion.

And so I carry on, striving for both mindfulness in the process and the satisfaction that only sanding with tiny squares of 600-grit paper can bring.

Through the unpainted window above you can see the Chrysnbon kit stove I assembled and painted like 300 different colors before returning to matte black, that will heat the hut. Still unsure if I’ll use it. I’m rather taken with this modern “Shaker” stove, designed by Antonio Citterio with Toan Nguyen in 2006. I think it would translate to 1:12 scale beautifully, and be fun to build.

Shaker wood burning stove/fireplace, designed by Antonio Citterio with Toan Nguyen. Beauty.

Shaker wood burning stove/fireplace, designed by Antonio Citterio with Toan Nguyen. Beauty.

Finally, this is the unobscured featured image for March on this site’s landing page. It’s a birch tree in Soquel, California that wants to see you.

nancyland.com march 2015 header

Until next time, when the paint is dry, and ready to be sanded, then painted. And sanded.

Rafters and Stonework

modern miniatures, Sea House Warming Hut

Sand. Paint. Wait. Sand. Paint. Wait. Sand. Paint. Wait.

Got the first and second coats of paint on the rafters. I’m going to glue it up, then put a third coat on the whole assembly. And yes, it’s the same green (MSL 106 Rhododendron Leaf) used on the Sea House Pavilion :)

The floor is going to be wide-plank salvaged wood from the original Pleasure Pier, inset with a circle of native-quarried stone for the vintage wood-burning stove.

I painted several acrylic washes ( warm and green-gray, black, and “sand”) on 140 lb. watercolor paper and while still wet, sprinkled it with sea salt. Science magic!

modern miniatures, Sea House warming Hut, stone

When it was dry, I brushed the salt crystals off, and drew concentric circles the diameter of the surround.

modern miniatures, Sea House Warming Hut, painting stone texture

And cut them out. With scissors.

modern miniatures, Sea House Warming Hut, making stone tile

I cut individual tiles to fit the area and glued them down.

modern miniatures, Sea House Warming Hut, stone tiles

I “mortared”with a medium gray acrylic glaze. When that dries, I’ll give a coat or two of matte varnish.

Sea House Warming Hut, modern miniatures, faux stone tile

Next: wood plank flooring.

Sea House Warming Hut

Sea House has a new logo

The venerable and imaginary Sea House organization has a new logo!

Filled a couple of notebook pages with ideas, sketches, color studies and measurements for the new build for the HBS/miniatures.com 2015 Creatin’ Contest, then went back in time and crafted a new logo for the Sea House Pleasure Pier empire.

Sea House Warming Hut nancyland.com

It can get nipply on the North Coast, and a thoughtfully-provisioned warming hut is a welcome respite after a beach meander or cliff walk. Maybe even a destination?

and so it begins

Dry fit of the miniatures.com 2015 contest base kit

Dry fit of the HBS/miniatures.com 2015 contest base kit

Yay! Denise’s City Cottage Kit, the starting point for the HBS/miniatures.com 2015 building contest has arrived. Once again there’s an interesting roof line, and some solid other architectural details that invite interpretation. Here it is in dry-fit. No idea what it might become, but I’ve opened a fresh page in my notebook, and later will pour a glass of wine to help me listen and think.

I’ve 11 months to do so, as the submission deadline is 16 December, 2015. And because we can now submit our entries online, I expect I’ll be working up to the very last day, as my projects tend to expand to the maximum time allotted them.

Advice in the most unexpected manner

Anni Albers, MoMA
“Working material into the hand, learning by working it of its obedience and its resistance, its potency and its weakness, its charm and dullness. The material itself is full of suggestions for its use if we approach it unaggressively, receptively. It is a source of unending stimulation and advises us in a most unexpected manner.”

—Anni Albers, “Design Anonymous and Timeless,” Magazine of Art, 1947
From a piece by Sarah Jones on the Kaufmann Mercantile blog. The Josef and Anni Albers Foundation has more.
Image is Anni Albers’ Design for Tablecloth, 1930, from the MoMA

in no particular order

peacocks_120214Peacock rug getting there! Just the remaining green background left to stitch. Then blocking and binding.

(Finished size will be 4.625 x 3.125 inches (11.75 x 7.9 cm), 227 x 153 stitches, Gütermann silk on 49-count silk gauze, from a design by Roger Fry, as charted by Melinda Coss in Bloomsbury Needlepoint From the Tapestries at Charleston Farmhouse.)

Then I’ve been playing around with Kris Compas’s current tutorial for an upholstered parsons chair, using this great cotton stripe from a thrift store shirt. Other than (endless) work on the Peacock rug, I think this is the first miniature building I’ve done since I packed everything up to move in the summer. (The cording is made from three strands of DMC floss, and is more true to scale than using all six strands. In case you noticed.)

parsons_chair_120214

Penultimately, here is my first repeating pattern!

fish_seaweed_00

The color palette is a combination of hues drawn from photos of the ocean and from the persimmon tree in Soquel. The simplicity is perhaps underwhelming, but this represents hours and hours of work. Onward!

And finally, I did go back to the indie dollar store and buy up all the boxes of Prang KantRolls.

allthecrayons

Mostly because this:

crayons_120114

Animals rug: carrying on

animals_061414-2

Things being what they are, the Animals rug is pretty much the only thing I’ve been working on, and I love it (still). It’s been made somewhat easier with my acquisition of a Needlework System 4 stand, which I also love. I had a personal best breakthrough when I managed to stitch an entire flying saucer-paisley motif correctly (main border, left middle). Compare to the other two, and you’ll see the, um, variations. There are three more to stitch, so we’ll see how that goes.

The area below the blue birds is about to get very interesting, as I work the swirly-jagged yellow border reversed at the bottom. I think the terminal flowers might appear behind the blue birds’ tails. After I get that border in, I’ll be able to determine what else will go in the background.

Here’s a closer view of the center panel:

animals_061414-1

I felt very clever using the flower colors on the big blue birds’ tails. There is a garland of small flowers in the center shape with a yellow background, and I’m undecided what colors to work them in, likewise with the wing-shaped leaves.

Details: 49-count silk gauze, 281 x 398 stitches — well now a bit more (5.75 x 8.125+ inches, 14.57 x 20.63+ cm); DMC cotton and Gütermann silk. Original design by Natalia Frank.

 

Animals rug: all four corners

The perimeter is secured

The perimeter is secured

The Animals rug has been my project of choice lately, interspersed with work on the Great Green Room, the new build for the HBS contest, and ongoing additions to the Sea House Pavilion. Miniature needlepoint stitching is tremendously absorbing and satisfying, and I’ve been searching out pattern books from the library and used bookstores.

I got this from the downtown Santa Cruz Friends of the Library bookshop, primarily for the cover:

“…a modern breakthrough book in the technique of the ancient, joyful, and beautiful craft of needlepoint.” from the 1970 foreword by Clare Booth Luce

“…a modern breakthrough book in the technique of the ancient, joyful, and beautiful craft of needlepoint.”
from the 1970 foreword by Clare Booth Luce

Needlepoint by Design by Maggie Lane, 1970. As it turns out, the cover design is not included in the book, but there are several other motifs graphed — a fish, a stag beetle, a tortoise, a frog — that I look forward to incorporating in something, some day. Well worth the US$4 price.

Then there is this, Needlepoint Designs From Oriental Rugs by Grethe Sorensen, published in 1983:

“Perhaps, unencumbered by outer distractions, the mind’s eye turns inward to the world of color, shape and symbolism to which human imagination first awoke.” Grethe Sorensen, 1981

“Perhaps, unencumbered by outer distractions, the mind’s eye turns inward to the world of color, shape and symbolism to which human imagination first awoke.” —Grethe Sorensen, 1981

This book. This book is luscious. There is a great history and discussion of design elements, rich full-page photography, and well-drawn charts. I am daydreaming a simplified version of the cover’s outer border, without the squiggly bits, as part of the next major rug after Animals is done.

Spec’s: 49-count silk gauze, 281 x 398 stitches — well now a bit more (5.75 x 8.125+ inches, 14.57 x 20.63+ cm); DMC cotton and Gütermann silk. Original design by the fabulous Natalia Frank.