Now and Then: Chairs, Leadlights, Conservatory, Rocks

2020/02/092020/02/0910 Comments

*The first of two estate chairs for Sea House Leadlights. Probably.*

I bought two of Kris Comapas’s Estate Chair kits because I wanted to use more of this thrift store dress fabric, which I love.

*From a Pescadero thrift store strapless, bubble-hemmed dress*

*Happy little estate chair, work in progress*

It’s a rather large scale print for miniature upholstery, as well as being a very fine and lightweight fabric, but did I mention how happy it makes me feel?

*Though legless and unpiped, still a very welcoming estate chair*

Kris includes good instructions and cord to make fabric-covered piping in her kits, but I generally prefer a twisted cord made from 3 strands of embroidery floss.

*Yes, K-2’s eyes light up (when he sees me)*

Here you can see my associate K-2SO inspecting the floss piping with his massively articulated fingers. (I love him, too.)

I find attaching tiny piping gracefully onto miniature upholstery to be a tedious task, so I’m putting it off until I feel more… um, ~~articulated~~ dextrous. And patient.

The Leadlights design studio also has a new chair. Makes it look way more office-y, don’t you think? I’m really pleased with the level of quality and detail in this chair. (Ack! This photo also reminds me I want to finish tricking out the desk accessories, and to trim that orange bookmark on the last-minute-made sketchbook!)

*That brick rubble is glued down Scarlett. (Yes, she checked.)*

Work continues on the Sea House Conservatory build, with a sea level rise remediation support pier in place.

*Model Magic air-dry clay rocks and boulders*

Geologic rock and boulder construction is underway. My preferred material — think I’ve tried just about all of them — is Model Magic air dry clay, made by Crayola. It is lightweight, inexpensive, readily available, pleasant and responsive to sculpt, accepts all kinds of pigments well, and dries with virtually no shrinking.

With this last batch of rocks, I experimented with adding black acrylic paint or India ink to the white clay before sculpting. One batch had fine black gravel mixed in. The paint or ink initially made the compound stickier to work with, but it was nice to start with a pre-tinted base. These have green and gray washes spritzed on. When dry (takes a day or two depending on size and relative humidity) with a fine brush I painted the surf erosion holes and granite veins with white acrylic, diluted 1:1 with water.

As I was ordering new clay, I learned Model Magic also comes in black, gray, and “Earthtone, Bisque and Terra Cotta”. So stoked to use these colors on the next exploratory rock and boulder sets.

The finished rocks are slicked with a satin multi-purpose sealer, as they’re meant to look wet. The final Conservatory project base will have about an inch of water in tidal flow. (I’m excited about that, too, as I’ve never worked with a “water feature” before :)

*Sea House Conservatory, in progress, February 2020*

Deck planks are installed, and I’ve finally arrived at a stair design that makes sense and blends into the overall structure.

Yesterday I was at Chrissy Field in the Presidio, and took a bunch of pier photos for genuine detail ideas. It was a perfect winter’s day, cool, clear and sunny, with very little breeze.

*Looking north to the Golden Gate Bridge and Marin*

*Chrissy Field, Presidio. See the fog horse galloping over the City?*

Glorious.

Retrospective: Sea House Leadlights

2020/02/062020/02/0812 Comments

*Albie oversees receipt of Serendipity Shed base kits, 16 August 2019*

I thought it might be interesting to review building highlights of the Sea House Leadlights studio office, from start through submission. (Can’t really say “completion” because things never stay done ‘round here.) There are links back to original posts — if any were made — with more details. I wasn’t very bloggy :)

I spend a lot of pages thinking, sketching, dreaming, considering and working out dimensions and story.

The first floor idea, though fun to design, paint and assemble, did not work well in the space. So it goes.

Height was added to the starter kit with parts from a second. I like to retain recognizable elements of the kit, so the roof angle and footprint, as well as door and lower window placement remained unchanged.

I glued cold press 140 lb. watercolor paper to the walls for texture before painting, and added a whitewashed aged brick back wall in the loft.

*Half-loft installed, supported by faux beams*

I opted to make the front façade removable as well as the roof… this makes it so much easier to photograph the interior.

I cut the built-in benches from 1/16-inch basswood on the Cricut Maker. These were glued together and supported with 1/8-inch dividers.

*Interior space begins to come together*

*Tree Frog green was the only possible finish color, with black leather cushions*

I thought and sketched about the window designs for some time. The Pavilion is bubble-themed; the Conservatory celestial… for the Leadlights design studio I went Egyptian Deco. Mostly sort of.

*Sea House Leadlights front doors and front/side windows*

The upper window is a stylized scarab. Very.

The “leading” designs for the windows are cut from lead black cardstock, glued front and back to the plexi, then framed in black on the exterior (and tree frog on the interior). I like to see wood grain, so I use a 1:1 ratio of acrylic paint and staining medium.

If one looks straight on, the window frames the bricked loft wall and the old Sea House logo. With sacred scarab wings.

I — or rather the Cricut Maker — cut the signage from matte black vinyl. The stars in the design are meant to resemble anchor plates used to reinforce old buildings. I love them.

In this backlit photo, the vinyl letters appear to float off the side of the building. It’s not quite so unnatural-looking in person, but knocking back the synthetic smoothness is on my eternal learn-to-do list, to find ways to tone down the material. (Transferring wee letters and figures is a fiddly, fussy business, especially onto an uneven surface, and I am not eager.)

Here’s a roof’s-eye look at the progressing build. The holes are drilled for the LED light fixtures that will illuminate the work space below. (The wiring to be concealed beneath a custom rug and other stuff stored in the loft.) A narrow shelf beneath the scarab window on the removable front might support batteries if I ever add lighting to the front. Floor tiles gleam softly with scuff-resistant utility. Leather window seats beckon.

To be continued…

The Sea House Leadlights Fireplace

2019/12/202019/12/2022 Comments

I wanted an outdoor fireplace for the deck because few things are better than being outside than being outside with fire, especially at night. I knew some of the old Sea House building bricks would be involved, but did not have a clear vision of the overall design.

Until I got a catalog from CB2.com, and saw this. And I knew.

*Attempting to translate one reality into another*

It took more than a few sketches and extended staring into inner space to work out how I could extract the essence of the CB2 fireplace for the approximately 8.5 inches of width I had on the Leadlights side deck. As is typical, I figured out far more once I had the actual materials at hand.

*Dimensions determined and mat boards cut. This is the top, outer semicircle.*

I used “corner” bricks to edge the semicircles, slightly sanded to fit the curve. Regular brick make up the middle layer.

*Gluing the layers and structural reinforcements together*

*Grouted and the first of many coats of eggshell white acrylic paint*

*The back wall of the firebox, to be painted lamp black*

*Not highly visible, but the arched firebox is glued in, ready to sandwich with the back wall layer.*

Here is the final fireplace in situ with split birch logs laid, the spark arrester chimney, comfy chairs and a good red wine ready to pour. The exquisite carved wood sandpiper sculpture is a gift from Keli, keeper of Charlene’s Estate.

*Of course the firelight flickers and glows.*

*Sea House Leadlights front exterior, for context*

I intend to start writing more here, again. I miss you. I dove deep on this project, and found I could either devote myself to the process of building or to writing, but not both. (I chronicled photo highlights on Instagram; if you’re on there I’m @nancy_k_enge. There’s also lots of pics of Scarlett :)

Funk, ABChallenge, Mudroom

2018/01/222018/01/2230 Comments

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I’ve been in a bit of a creative funk recently. It feels like Scarlett looks.

(Even though what she’s really signaling here is, “If I don’t make eye contact with you, you can’t see that I’m up here again, biting on the lead blade of the scythe and chewing the potted palms.)

My symptoms of creative funk include seeing everything I do as crap, simultaneous restlessness and fatigue, dropping things on the floor even more than usual, and a sense of dullness.

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In a creative funk, even though many wonderful things continue to occur, like finding surprise! beautiful flowers on the doorstep, like magic… well, actually, unexpected kindness does wonders for boosting spirits.

I know to keep breathing through a funk, not push too hard, to listen. Go for walks. Take naps. Soon, I’ll issue the funk an invitation to tea.

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I decided some arbitrary and not-too-difficult challenge practice might help, so I started ABChallenge: Take or draw a picture representing every letter of the alphabet, in order from A to Z. Nothing stupid like every day, but don’t be lazy. Why not do it with me? Then we’ll have something to talk about.

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I finished the mudroom in the Sea Rise Pavilion remodel, meant to be a shrine for the pieces from Charlene’s Legacy that Keli gifted me us. Here it is the late night of completion, with cruddy lighting.

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As seen from the interior.

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And through the open back door in the fresh light of morning.

Funk slumps happen to us all, I think. What do you do when you find yourself in one?

Pavilion Remodel: Kitchen Progress

2017/12/0412 Comments

This is the first time I’ve ever made ~~fake~~ “fixed door” cabinets, and I confess I feel like I cheated to achieve a look, and/or once again betrayed my core values for the sake of… <fill_in_the_blank>

However, I really do have a bigger picture for this set/build, so faux kitchen doors and drawers are just fine. I am more than pleased with the ELF sink, tap, handles and two-burner electric stovetop. After futzing with the door/drawer front layout in Illustrator, I cut all the pieces from a single length of eggshell white-stained basswood with pretty grain. I sanded the “opening” edges ever-so-slightly to distinguish, and made templates to drill for the ELF handles. Using pliers to gently make the handles fit helped a lot.

I’m still considering the lighting/windows/shelving/roof design of this module. I know, that’s a lot to still be figuring out at this stage, and welcome to my world. I’m off to Santa Cruz for a few days tomorrow, so I’ll have some good thinking time on my drive to ideate.

Also, the perfect mug and plate on the countertop is from Keli’s friend April Wright, a miniature ceramicist working in 1:12 scale.

Sea House Pavilion Remodel: Flitting About

2017/11/172017/11/1924 Comments

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I finished planking the Sea House Pavilion front entry remodel — though there are still stain touchups to do. This build is very different in that components will remain modular, to facilitate access and photography, rather than be a single, connected structure.

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Inside walls are stained eggshell white. The main living area ceiling (the underside of the sleeping loft) is in, made from bead-board paneling. (Here barely seen, as IRL).

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You can glimpse the original Pavilion roof ceiling, now lifted to accommodate the sleeping loft.

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A view of the sleeping loft addition, and a roughed-in kitchen wing and shower stall (fireplace removed.)

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After deliberation, I chose varnished cork for the sleeping loft floor, which occupies three bays. Many more decisions remain, especially since I’m thinking ‘nest’ rather than traditional bedroom. Think ‘sleeping in a pile’ (my favorite!) from Where The Wild Things Are. Because post-sea-level-rise living will probably benefit from that.

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I made my first-ever ELF Miniatures order, for this kitchen trolley kit, as well as an under-counter sink and 2-burner stovetop surface for the kitchen wing. I am smitten.

The kitchen wing occupies two bays, and will have a countertop with sink, prep area and the two-burner electric stove (powered by rooftop solar panels.) There’ll be non-opening cupboards below, and an under-counter refrigerator. Two walls are paneled in horizontal bead-board, to which there will be shelves attached; the third wall is papered in the same vintage San Francisco map as the ceiling. The window is made from this weird thick glass disc, a bag of which I found in the crap/craft store.

hydroponics_planning

Moving on to greenhouse hydroponics. I did a bunch of research to arrive at an aggregate vision of what a system might look like on an off-the-grid tiny home scale. The grow vats are restaurant jam tubs. I made some wonderful Georgie Steeds lettuce and cabbage kits, and from there worked out optimum growing layouts. I fiddled with the vat top layouts, and used the Cricut machine to cut the final patterns.

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I noticed many hydroponic systems had these sort of “grow rings” around the cutouts. They appeal to my graphic sensibility, so I laboriously added them to the system. They can barely be seen beneath the lush growth, but we and the devas know they are there.

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To the greenhouse I added rails and slats to support the grow vats. I’m experimenting with wire and shrink tubing to evoke a water and nutrient circulation system. One of the challenges is keeping each of the wings modular, yet connected as a whole. In that the greenhouse and kitchen wings need to connect to the solar panels and water collection systems located on the pavilion roof and aft deck. As do the roof gutters need to funnel rainwater into the cisterns located under the pavilion. And so on.

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I leave you with a view of Georgie Steeds’ Nasturtium kit. It’s just barely finished, plonked in a Braxton Payne pot and glop-waxed to the bench. I love nasturtiums; they’re ubiquitous in NorCal gardens. I’d very much like to twine these throughout the greenhouse wing, while also keeping it detachable. We’ll see.

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A Drink After Work

2017/02/256 Comments

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Zilly and Stormy are having a drink after work (with Verti and Bouffi).

Many thanks to OCDB for the gift of the Janet Harvie table and exquisite glasses. Verti and Bouffi are from ValueARTifacts.

Shade Concept

2017/02/192017/02/196 Comments

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Inspired by the bicycle basket of Almira Gulch, I’m happily exploring different size weavers on the 1/16-inch paper spokes loom. (Wait, please click the link. Years ago I had a boyfriend who would hum this song whenever he thought I was being too crabby. It still makes me smile.)

Anyway. This is made with eighth-inch weavers. The shade is 1.5 inches in diameter, supported by two interior rims, cut from cardboard and covered in cardstock.

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Here you can see the intriguing patterns cast when light shines through the structure. Considering that the flat weave is made from two rectangular shapes, the effects of layering and light are interesting. (I don’t know why my thumb looks like a misshapen grub.)

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I’m also working a 3/32-inch weave. That’s one less than an eighth. Finer.

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Hard to compare the eighth-inch weave because of the curvature, but maybe squint your eyes? Don’t yet know which I prefer.

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Light shining through. So pretty! I see now that I’d move the lower rim to the very bottom of the shade. Undecided if additional trim is warranted. Next I will fiddle with a top thingy to channel the wires (I picture this as a hanging lamp). Don’t think I’ll mess at all with a harp, as it all seems so particular to the kind of bulb one is using.

Lightists, now is when I would *love* if you’d chime in and tell me all the things I’m missing and should consider. I’m just here watching the Miss Gulch clip a few more times :)

Toto2 Basket Kit Listed

2017/02/182017/02/188 Comments

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The Toto2 basket kit is finally listed at ModMinSucc+Sundries. Studying the above pictured basket, which is not the one Dorothy carried in the movie — this is the wicked basket — gives me the idea to try some thick/thin weaving. Thanks, Almira Gulch!

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The Toto2 instructions ran to one-anna-half pages O_o

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Printed front and back, folded in half. Tidy. But of course I spotted the spacing error in the name (twice!) after they were all printed. It’s going to stay in for now :/

And now it’s time for a glass of relax and eyes away from cameras and screens. Check it out!

Newsletter, Calendar, Party

2016/12/312016/12/3110 Comments

calendar2017_project

There’s a new issue of my newsletter Cut, Fold + Make going out tonight that includes a modern miniature calendar for you to make.

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It’s a quick and simple project.

calendar2017_finished

You can sign up to receive it with the newsletter link on the right.

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It’s a good way to keep track of yourself in sequential time.

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And, there’s a party going on to celebrate the new year and new pergola being built at Modern Miniature Succulents + Sundries. All the furniture from Sea House Warming Hut has been dragged over, and there’s a beach driftwood fire blazing, as well as festive beverages. Come on by! It’s been too long since we’ve all hung out together.

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PS: Godzilla will be there.

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Category: miniature furniture