New Echeveria Kit, Esplanade, Scarlett

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There’s a new kit available over at Modern Miniature Succulents + Sundries. It’s a more delicate echeveria variety, based on an eight-leaved shape. Each plant is about 3/8-inch (9.5 mm) in diameter; the kit makes nine.

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In other news, natural beach erosion opened up two large sinkholes in the switchback path leading down to Esplanade beach, as well as taking out more of the cliffs under the remaining apartments (vacant since January). It was so windy this afternoon on the bluffs I could scarcely keep my camera still.

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Scarlett is almost six months old. Her extravagant affections continue to grow, and because she goes outside now, her depredations have eased *somewhat*.

Happy winter solstice, all.

First Listing

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So pleased to announce the first kit is available over at MMS+S. I expect I’ll be making editing tweaks for a while, in between assembling and listing new kits. Potted specimen succulents and sundries coming real soon. Heartfelt thank yous to all who showed interest. Happy making!

S6A

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Supplies and materials flowing in at a steady rate. Got the next two kits prototyped and spec’d, therefore only needing specimens, photography models, and instructions. Easy-peezey. Mighty progress!

The Argo Wool Works build-in-progress has been moved back up onto the high shelf, to free the work table for kitting, photography and the rest. I’m also putting away the needlepoint frame, and about half a dozen other would-be, want-to-be, once-were projects. Deargod I may even dust.

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So sad.

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I’m surprised I get as much done as I do.

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In other news, Brian and I headed out this morning for a beach walk and cleanup. Esplanade had no beach at all because of high surf, so we went to Sharp Park. So very many small bits of styrofoam, plastic bottle caps, straws, and miscellaneous plastic packaging, all washed down to the ocean with the recent rains :(

Still, the waves were booming, and there were many dogs and walkers out. I love the coast in winter.

Redirect

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First light, and we’re continuing to enjoy some much-needed rain here in Northern California. There’s bustle going on downstairs in the studio, but it’s uninteresting compared to Scarlett, sleeping off an early morning foray into the great suburban outdoors.

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In that respect, her explorations are not that different to my own, except I’m neither five months old nor a cat. No matter how much I wish.

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Still. She approaches her new domain with seemingly equal amounts of enthusiasm and caution.

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I want to be like Scarlett. Especially the perfect nap part.

Newsletter, Walnuts

I’ve been wanting to publish a newsletter for some time. Printed magazines have always been dear to my heart, and I see an email newsletter as a cost-effective way of sharing my interest imperative of a daily creative practice — however it occurs to you — as essential human activity, without all the adverts. I’m using Constant Contact for delivery, in part because I’m familiar with it from my volunteer work with Pacifica Beach Coalition, and hey, start with what you know.

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Years ago I made an advent calendar for my daughter, when she first moved away for college. It was a garland of shelled walnuts containing tiny treasures glued over a length of ribbon, meant to be re-cracked as the days unfolded. This is a perfect project for miniaturists, for who among us does not have an overflowing stash of tiny treasures?

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Construction is easy enough. Get a pound or so of jumbo walnuts in the shell.

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Split them cleanly open, and remove the good bits. (It’s just weird to call nuts meat.) Share with your squirrels and birds or save for cooking/snacking. I found a shellfish fork to be the handiest tool for all tasks, but use what you have. Keep the shell pairs together.

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Ensure you have a dedicated helper.

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This is the really fun part. Depending on to whom you intend to give this, go through your stash and find small treasures that will fit in a walnut shell. This one is for my almost-four-year-old granddaughter.

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It’s helpful to test fit and line up your treasures so you can roll with assembly. Make sure you keep your walnut shells paired!

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A thinnish, flexible ribbon or raffia works best. (I’ve needlessly complicated the process here by using a sheer ribbon and a novelty yarn, but both have sentimental value :) Dot glue on both sides of the shell, sandwiching the ribbon, and realign the cracked shell edges.

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Hold until dry. Think about good things.

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Decide a pleasing interval between walnuts, and repeat the process for the number of days you wish to advent, depending on what you’re counting down (or up). The finished walnut garland can be hung in any number of ways. Of course you’ll want to give some consideration to the contents vs. the force necessary to re-break the shell, but it’s pretty easy.

If you’re fancy, the walnuts could be gilded or embellished with numerals. Or glitter… or rose thorns. You get the idea. Evoke.

For me, cracking and shelling walnuts returns me to my childhood, when every home had a nut bowl on a living room side table, always available for a snack. Holiday baking involved conscripted labor. Our job as kids was to crack a very large bag of walnuts, almonds, pecans, hazelnuts, the odd Brazil nut — our mother would never indulge the cost of pre-shelled nuts! — and extract the usable parts. As I recall, whole walnut and pecan halves earned a dividend. These memories are imbued with a happiness of shared industry and rich nut tidbits.

Anyway. Projects, ideas, like this are what I have in mind for my newsletter content, as well as quick inspirations, fun facts, helpful hints, and links to relevant, deeper content around the subject of being a heartfelt creative person. Sound interesting? There’s a clunky link in the sidebar to subscribe, as well as a new “Newsletter” page with a contact form. Obviously I’m still working everything out. I’m thinking a once a month issue to begin with. Interested?

Legs, Mortised

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Here’s an above view of my four table legs, with rough half-inch mortises routed. The legs are 17 inches (43 cm) tall and 1.75 (4.75 cm) inches square. Look at that beautiful end grain! Note my steel-toed safety ballet flats! What I am proudest of is that I set up the routing machine by myself (after watching an experienced woodworker, again, and checking my setup with our instructor). Also I learned some counter-intuitive things. Wood smoking? Go faster!

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Here are my table legs in casual disarray. Observe the authentic surface of the high school woodshop tabletop, my trusty Moleskine notebook, and clipboard of important shop papers! Missing only is a true carpenter’s pencil.

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First thing this morning there was line upon line of big waves visible from our window, more than I think I’ve ever seen before. We quickly dressed and brought our coffees down to Esplanade Beach. Here you can see Brian partway down the trail to the (currently nonexistent) beach, with waves washing the riprap and cliff base. The sun is just clearing the houses on the cliff, illuminating a 15- or 20-foot wave. We watched for close to an hour from various vantage points, with a view from Pedro Point, to Mussel Rock, and the Marin headlands in the far distance. Recommend as a good way to start this particular day.

November

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For no particular reason, I’m ready to move on to November. I woke this morning directly from a dream to this view of rapidly moving clouds and shadows cast on the ocean. This (next) month’s splash screen caption is a lyric from the band Real Estate’s 2014 song “Had to Hear”. (The full line being, “I don’t need the horizon to tell me where the sky ends —
It’s a subtle landscape where I come from.”) It’s not a great photo, but totally captures my mood, as enhanced by the song. You’re welcome.

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Tonight in Wood Skills adult ed class at at Westmoor High School, I noticed this display on one of the machines. We just don’t see enough graphic design as clean and untroubled as this any more. When I reached up to touch the opening between 200 and 300, the metal cleanly sliced my finger tip open. Powermatic!

Echeveria!

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Been making California poppy and echeveria planters for a little while now.

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I first learned how to make echeveria from this wonderful tutorial by Annie Christensen of We Love Miniatures. She uses brushed pastels at the end to tint the leaves. All the succulents in the Argo Wool Works foundation plantings were made using her method.

Lately, I’ve taken to using markers to tint and edge the various shapes punched from cardstock painted with acrylic wash, as seen above.

Also, do you see those footed flat clay planters? They’re from Falcon Miniatures, made in Thailand, and seem no longer available. If any of you know a source, I’d be very stoked :)

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This afternoon I was fooling around, searching for some new shapes from the limited punches I have. I covered a bottle brush seed pod with overlapping petal shapes, and set that in a base of cupped leaves. Then I stuffed an emerging flower shape in the apex hole — I really need to look up the correct botanical terms — and… a new, fairly convincing succulent/cactus hybrid variety was born! I’m quite pleased with its appearance and will post a step-by, after I get a manicure :)

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This picture of Scarlett nuzzling into Albie expresses my joy. I expect one day to stop posting so very many cat pictures, but she is so stinking cute and delightful…

 

Equivalents Homage

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Inspired by the great 1938 poster in my wood working class, I was motivated to make my own version for picas and points. It’s the traditional measurement system of graphic design, but it also works really well (as I’ve pointed out before) for 1:12 scale building plans. Six picas to the inch, twelve points to a pica. Enjoy :)

Equivalents

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Wonderful poster from 1938, hanging in woodshop class. In case, for instance, you needed to know at a glance the decimal equivalent of 43/64. I’m especially fond of the way numeral two is drawn, graceful as a swan.