Boxen

scene

Gee golly gosh oh man golly, does taking something to market take some time? Answer: yes. Not complaining; I want to get it right as right as I can make it can be.

bts

Up in the MMS+S shop today are three cardboard box kits. Three sizes of boxen, each the epitome of scale fidelity and utility. If you didn’t know you needed these before, well, it will soon become apparent.

I’m pretty much over my basket weaving overload aversion, and am looking forward to bringing the mildly-redesigned Toto basket into production. Priority: next.

Thank you, thank you all for your support and interest. You make a difference.

New +Sundries

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We’ve been engrossed in producing things around here, and the studio is a mess. Piles of papers and things on every surface. The answer is miniature file folders, in many colors, including classic manila.

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They’re available now over at MMS+S, part of a new line of miniature office supplies.

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The precut folders are packaged in a “kit” of a dozen 13 — all you do is fold on the score line :) They will also be available packaged in a custom box, (which will also also be available as a kit) along with some other boxes and sundries. Because good studios and offices need them, to be tidy studios and offices.

ffbox_sketch

Figuring out box design dimensions, assembly, and cut and score lines. Getting more proficient at drawing in ways that translate well to SVG. Really appreciate the scoring tool feature of the Cricut machine.

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Model building, instruction writing, label design, photography and kitting are all in various stages of completion. (For the Toto basket, too! And delightful hen-and-chicks succulents.) I am closing my eyes and tapping my heels together three times. And thinking to myself …

Success, Failure, Success

I took the coast road down to Santa Cruz on Wednesday. There was a mad gale blowing, and pouring down rain, and I just didn’t feel like hydroplaning on the Peninsula freeways. Mid-week, the coast road — in addition to being spectacularly beautiful — is a good place to think, and I needed some thinking time. The weather was intense, especially on the open coastal bluffs; the road oddly deserted, and I felt alive and free, so happy to be on the way to seeing my baby girls (the little mama, Maddie, and the bun in the oven :)

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I had this great idea to do diagonal weaving that occupied much of my drive, with the first project being an open-sided ottoman on stylish legs. After our joyful reunion at preschool, and snacks, Maddie and I sat side by side on the couch, she absorbed in an animal show on the iPad (special treat!) while I sketched out my ideas. Above you see some of the sketches, along with Maddie’s later commentary. And the next day’s failed attempts to devise a workable diagonal paper loom.

But no. I tried a few variations, redid my measurements, cut different spoke looms, wove this way and that, but it’s just too hard to do in paper, and not fun at all. Feh.

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However, my notebook has been enriched with an almost-4-year-old’s visions. This is one of my favorites. So much going on!

mailers

Today, after happily spending the morning kitting and filling MMS+S orders, I noticed the supply of old presentation materials I have been hacking and re-purposing for shipping was dwindling. (Seriously, they are like 20 years old? And I’ve held on to them all this time? = paper hoarder.) I determined to craft new ones. Some trial-and-error, but I learned how to use the Cricut scoring tool (super useful!) and cut up bunches of cardstock that is too heavy for weaving (thrifty!) to make colorful new shipping inserts.

Heartfelt thanks to Brae and Keli for writing about the basket kits. Your esteem and influence is plain to see, and I am so very glad that you like them. In our tiny community, you set a standard of generosity that is priceless.

Cutting 1/16-inch, New Basket, Erosion

new_base

After trying several different 1/16-inch materials — illustration board, mat board, chipboard — I finally found a cardboard I can get the Cricut machine to cut all the way through (on the 2mm thick leather setting, five passes with a deep cut blade). Unfortunately, it’s from my cardboard stash pile, and I’ve no idea what it is :\ These circles will make an easier base to work with on the soon-to-be released round basket kit.

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Here’s a peek at a new rectangular woven paper basket. Too bad the light is so poor; the two colors of this prototype are “Spice” accented with “Burnt Orange” and are very appealing. Still very early stages. Now that I can command shapes… ideas may expand.

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Keeping things real, here in Northern California (in Pacifica, at least) we’re enjoying some drying out time, after a series of very wet, damaging storms. This is the remains of the already sketchy trail that leads to the sometimes-beach below the bluffs at the bottom of the hill. It’s the last super-low King tide, and a beautiful view stretching to the Marin headlands. Gratitude, thankfulness, appreciation.

Prototyping Complete

purple

Feeling confident about the rightness of the basket kit patterns, I move on to test-coloring the white base cardstock. My charming husband gifted me a set of Winsor & Newton water colour markers, and I’ve been eager to use them. This is, um, not exactly — nor even close to — fine art, but watercolor tints differently than either stain or alcohol markers. I used an intentional kind of crosshatch to fill the larger pieces. Gorgeous color/colour, yeah? W&N Mauve 398.

pear

I built the purple mauve watercolor basket, and moved on to an alcohol marker. These bleed and blend much more readily into the cardstock. W&N Pear Green Y635.

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Here are our happy fellows to date. In this picture you can see the difference between the heavier-weight yellow basket, and the slightly lighter-weight, tinted and white cardstock ones.

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I realized that tinting the outer edges of the lid pieces (even though they are eventually covered) helps mask any gluing misalignment, so had to test-make one more basket. This is W&N alcohol marker Duck Egg.

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And here are the last two basket prototypes, with some hen succulents, held up to the last of our stormy, freaky light. I noticed a similarity between the terracing of our wee hillside backyard, and the woven fabric of the baskets. Huh.

hens test

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Hen and chicks are one of the first succulents I fell in love with, so this design is dear to my heart. And I felt like a right genius because I figured out how to get the machine to cut a hole in each center. It is not an automatic process and involves what Cricut calls “attaching” layers. (The above holes are three points in diameter; I’ve since upped it to four.)

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This is the fun part. Removing the waste from the sticky mat makes a musical plinking sound that is very satisfying. And as I soon learned and as Nora suggested, it’s far easier to remove the cut shapes after the mat has been “de-sticked” a bit — which seems to happen with use.

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Color test and shaping. The little point on the end of each leaf adds such sweet realism. My inspiration:

live

These guys are in a bit more shade now in my early winter backyard, so they’ve lost most of their edge-leaf color.

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Prototype hen. Next up is to draft a smaller-leaved pattern set for the chicks, so we can build happy succulent families. This one is about 5/8-inch (16 mm) across.

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And this is how I’m keeping all the very many parts organized and identified. I’ve long kept a stash of these useful little containers from takeout food, but ran out quickly. Dollar store to the rescue! Ten cups with lids/$1. I should probably cost them out in greater quantities :(

 

Testing

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I drew some succulent patterns in Illustrator and exported them as SVG. The Cricut Design Space, the app the cutter uses, is fairly straight forward and easy to navigate. First cuts! The sticky cutting mat smells like a toxic headache, though.

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Here’s the first batch. The software arranges the cuts for best use of the material.

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By far the most difficult and tedious task is removing my many, many small shapes from the cutting mat.

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A proposed stack. As it turns out, the two 11-leaved pieces don’t work well at all for miniature succulents.

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Here’s a first model and prototype. I’ll need to make some several before I work out the best construction techniques.

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After revising the patterns, I cut a 12 x 12-inch sheet of colored stock. That’s a lot of prying off to do. Best tool I’ve used thus far is a thin, flexible wedge-shaped palette knife. The next thing I want to determine is if the pen can have a broader tip, and can outline the cut line, and hold registration with the cutter. Learning!

Equivalents

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Wonderful poster from 1938, hanging in woodshop class. In case, for instance, you needed to know at a glance the decimal equivalent of 43/64. I’m especially fond of the way numeral two is drawn, graceful as a swan.