Sea House Pavilion Remodel: Flitting About

front_exterior_111717

I finished planking the Sea House Pavilion front entry remodel — though there are still stain touchups to do. This build is very different in that components will remain modular, to facilitate access and photography, rather than be a single, connected structure.

front_110617

Inside walls are stained antique white. The main living area ceiling is in, as a result of building out the sleeping loft — bead-board paneling, stained the same antique white. (here barely seen, as IRL).

front_interior_110617

Here you can glimpse the original Pavilion ceiling, now lifted to accommodate the sleeping loft.

front_interior2_110617

A view of the sleeping loft addition, and a roughed-in kitchen wing and shower stall (fireplace removed.)

loft_floor_111117

After much deliberation, I decided on varnished cork for the sleeping loft floor. The loft occupies three bays. Many decisions remain, especially since I’m thinking ‘nest’ rather than traditional bedding. Think ‘sleeping in a pile’ (my favorite!) and Where The Wild Things Are. Because post-sea-level-rise living will probably benefit from that.

elf_trolley_111917

I made my first-ever ELF Miniatures order, for this kitchen trolley kit, as well as an under-counter sink and 2-burner stovetop surface for the kitchen wing. I am smitten.

kitchen_3walls_111517.jpg

The kitchen wing occupies two bays, and will have a countertop with sink, prep area and the two-burner electric stove (powered by rooftop solar panels.) There’ll be non-opening cupboards below, and an under-counter refrigerator. Two walls are paneled in horizontal bead-board, to which there will be shelves attached; the third wall is papered in the same vintage San Francisco map as the ceiling. The window is made from this weird thick glass disc, a bag of which I found in the crap/craft store.

hydroponics_planning

Moving on to greenhouse hydroponics. I did a bunch of research to arrive at an aggregate vision of what a system might look like on an off-the-grid tiny home scale. The grow vats are restaurant jam tubs. I made some wonderful Georgie Steeds lettuce and cabbage kits, and from there worked out optimum growing layouts. I fiddled with the vat top layouts, and used the Cricut machine to cut the final patterns.

hydroponics_lettuce_cabbage

I noticed many hydroponic systems had these sort of “grow rings” around the cutouts, and they appealed to my graphic sensibility, so I laboriously added them to the system. They can barely be seen beneath the lush growth, but we and the devas know they are there.

hydroponics_rings

To the greenhouse I added some rails and slats to support the grow vats. I’m currently experimenting with wire and shrink tubing to evoke a water and nutrient circulation system. One of the challenges is keeping each of the wings modular, yet connected as a whole. In that the greenhouse and kitchen wings need to connect to the solar panels and water collection systems located on the pavilion roof and aft deck. As do the roof gutters need to funnel rainwater into the cisterns located under the pavilion. And so on.

hydroponics_111717

I leave you with a view of Georgie Steeds’ Nasturtium kit. It’s just barely finished, plonked in a Braxton Payne pot and glop-waxed to the bench. I love nasturtiums; they’re ubiquitous in a NorCal garden. I’d very much like to twine these throughout the greenhouse wing, while also keeping it detachable. We’ll see.

nasturtium_111517

 

Sea House Pavilion Remodel: Front Entry

front_102917

Work has begun on framing in the front entry, using 3/8-inch stock to match the existing structure. I chose a set of Houseworks French doors, installed backwards so they open outward. There will be a 5-inch wide transom window above. The door woodwork is finished in an eggshell white stain, and the two side panels will be reclaimed weathered gray horizontal planking.

front_transom_source

I got curious about the line weights in intricate pattern that I might successfully cut (and remove from the mat) on the Cricut, and got down to 6 points (.083-inch / 2.1 mm). This seems a good scale for the narrow panels of the doors and transom (the greenhouse window leading is 9 points (.125- inch / 3.2 mm).

inside4_102917

The difference in scale between the front doors and the greenhouse windows makes sense (especially now that I know I can cut finer line weights). The interior front wall will be planked in the eggshell white stain, with a matte varnish.

inside5_102917

Now I’m thinking on how the ceiling between the main floor and the sleeping loft will work, and how to finish out the fireplace through to the roof — some tricksy geometries. I ordered a bunch of vegetable kits from Georgie Steeds at The Miniature Garden — my favorite miniature plant kit purveyor — to populate the long shelf in the greenhouse. The interior greenhouse windows are open to the room so the potted trees can reach out.

gh_inside_102917

Also, how is it almost November?!

 

 

 

Skiff, Brackets

skiff_building

Scarlett has grown into a far more helpful studio cat. Here she continues the weathering process on the underside of the Sea House Pavilion Squat roof, while I work on building a wee skiff.

skiff_box

I eBayed this circa 1989 Midwest Products skiff model. I love this kit for many reasons: The superior 36-page construction manual and a full-size plan. Each of the 117 steps has a little checkbox next to it, to track one’s progress. And shipbuilding vocabulary: inwales, cleats, chafing plank, stem and false stem, strongback, painter, breasthook, skeg, knee and quarter knee, transom, fairing.

Here is step 109, Inwales:

skiff_building2

Even with the apprentice skill level 1 rating, there was still plenty of late night swearing, especially setting up the framing. I realized very early on how glad I was that the finished model would be heavily weathered.

skiff_weathered

Making the oars was possibly my favorite part. They’re built from dowels and stripwood, whittled and sanded into final shape. (Still have to varnish the second one.)

brackets_00

The outdoor shower is old Reutter Porcelain, tragically discontinued. One of my all time favorite pieces!

At some point, the Sea House Pavilion was retrofitted with sturdy brackets, much like the foundation of the SH Warming Hut.

brackets_parts

This time, made much easier by cutting the components on the Cricut machine. I used the scoring tool to mark angle folds and placement of the bolts, which are two dots thick. (Note to self: hmmmm, maybe make available to sell? Have good metallic cardstock by Neenah. Am thinking of drawing contemporary and or retro wrought iron patterns, too?)

scarlett_092117

Recently, most of my building has been in the quiet of late night. Scarlett keeps me company on the studio thinking couch. Good kitty.

 

Treasure Map, Yucca Kit

treasure_map_081317

Maddie drew a treasure map. The iconography is bold and challenging on many levels, not the least of which is her rendering of the letter “R”. Type designers, bow down, maybe even despair a little bit, that you might ever envision an “R” this way. I’ve not yet heard her telling of the map story, only that the thing that looks like a Crusader shield is an “X marks the spot”.

YU01_outside

I’ve listed the first yucca tree kit over at MMS+S. It includes both an armature kit and a leafy clusters kit, with a choice of three base colors: white, manila or green. I plan on making kits of just the leafy clusters available, for those who want to make their own armatures, and eventually just supply packs of leafy clusters sans instructions, for those who get it and want to build more yucca plants. Every build needs at least one good yucca :)

_scene03

So many possibilities! There’s one more versatile yucca houseplant kit in the queue, and after that, it’s on to making specimens. I’ve drawn a different leaf cluster, longer and finer, and am working with a smaller gauge armature, just for the finished trees and plants.

Maddie_Ruby_081417

Here is Maddie, studying the most recent Eric Carle book, and Ruby, being what contented two-month old humans are. Kind of my world right now :)

Rousseau 1:12 Mural First Cuts

palm01_cut

I sketched out and constructed a palm plant motif in Illustrator, then reversed a copy of it to make the most of the painted papers.

first_cuts

Here are my first cuts of the pattern from two of the painted papers, flung onto the wall. I was working against the losing of the light (because hey, Game of Thrones). They will work splendidly as a middle background layer, when arranged.

Still undecided how I will stick them down.

first_cuts_paper

It took me a couple of cuts to get it right, but here is what a (partial) painted paper looks like after four passes of cutting. Still plenty of material for hand cutting parts available.

 

Armatures, S-Town, Cricut

torn_paper_5x4

I’m working on a yucca-and-others armature kit. It involves hand-tearing a lot of brown paper into narrow strips. One of my best-practice recommendations will be to watch a movie (that does not require eyes glued to the screen) or better yet, listen to podcasts. As of this writing, I’m listening to S-Town, again.

clockface

My husband’s employer was hosting a TSA Pre certification opportunity, so after we enrolled, he cut work early. After a pleasant luncheon in the Presidio, we took a stroll through the Legion of Honor Museum, where this very antique clock caught my eye — hence the S-Town reference. If you’ve not listened to this brilliant piece of true life storytelling yet, I encourage you to do so. I promise it will simultaneously break and uplift whatever is left of your tender, jaded heart.

Here’s one of my latest exchanges with the wonderful customer support worker bees at Cricut:

Nancy Enge: Any progress with the SVG import capability?
Nancy Enge: My experience says no.
*** Deepak joined the chat ***
Deepak: Hello Nancy

Deepak: We are still working on it.
Nancy Enge: Hello Deepak
Deepak: Let me try from my laptop.
Nancy Enge: Try what?
Deepak: Uploading that image
Nancy Enge: Deepak, don’t waste your time
Deepak: Yay!!!
Deepak: It is uploading on my laptop
Nancy Enge: Yay what?
Nancy Enge: That is just normal technology

Nancy Enge: As you can see: a mess
Nancy Enge: All of the score line lines are thrown hither and thither
Deepak: We are continuously working to provide better user experience.
Nancy Enge: Of course you are
Nancy Enge: I did not mean to imply that any of you are slacking
Nancy Enge: Especially you customer support staff
Deepak: :)
Nancy Enge: I was just checking in on this most troublesome problem we have encountered
Nancy Enge: for the last few weeks
Deepak: You know today I got an user who is not able to upload an SVG image, I tried it on my laptop.
(04:12:36 AM) Deepak: It didn’t work.
Deepak: However I tried your image, it worked.
Nancy Enge: Welcome to my world
Deepak: So I was so happy.
Nancy Enge: Hehehehe
Deepak: :)
Nancy Enge: Simple SVGs work
Nancy Enge: It’s those with lines meant to be score lines that are problematic
Deepak: Yeah, you are right.
Nancy Enge: Why this is the case, I have no idea
Nancy Enge: I am a designer, not a software engineer
Nancy Enge: Dammit :)
Deepak: I am not sure with whom you you talked. I have your image and photo, I will show it to our product specialist
Deepak: Next 2 days is my week off.
Deepak: I will update you by Monday.
Nancy Enge: Thank you, Deepak. I have talked with three of your brethren to date
Deepak: I have already saved details.
Deepak: I will drop an email on Monday after checking with him,.
Nancy Enge: I know those of us who upload our own designs are Cricut’s minority users, outliers…
Deepak: For us everyone is important.
Nancy Enge: We would all like to believe that :)

Deepak: There are some technical bugs; we are actively working on it. We are not in the business of selling machines. However, we are in the business of winning hearts.

Deepak: I will surely get back to you on Monday.

Nancy Enge: *cough*
Nancy Enge: Sorry, I’m laughing so hard I almost spilled my drink
Deepak: :)
Nancy Enge: I appreciate your efforts on our behalf, Deepak.
Deepak: Thank you so much! :)
Nancy Enge: So, I’ll keep trying
Deepak: For your inconvenience I am adding $10 Store credit to your account.
Deepak: Using that you can purchase digital cartridges.
Nancy Enge: Ugh
Deepak: It will reflect on your account within 48 hours..
Nancy Enge: Thank you, though
Deepak: You are welcome
Deepak: Is there anything else I can assist you with today?
Nancy Enge: No.
Deepak: Have a great night
Nancy Enge: You, as well.
*** Deepak left the chat ***

 

Albie, Yucca, Frustration

Albie_072317

This is Albie, absorbing the morning sun through the studio sliding doors. Our large middle cat, he is a handsome warm inky black, and very difficult to photograph. This one has zero interest in destroying miniatures.

MMSS_072317

Re-working the Modern Miniature Succulents + Sundries set a bit. I built a corner planter for specimens, and glued in one yucca tree with the new, narrower leaves. For the rest, I want to keep the plantings fluid and easy to change out, so I devised a kind of armature on the stalks of rolled brown paper for elevation. They are planted to the floor with tacky wax.

MMSS_nursery_072317

Here’s how it looks planted out, and with other plants massed around, like a typical nursery.

yucca_proto_072317

Still experimenting with colorways on the different stocks. This is the original shape leaf cluster in medium green, with leaf and pine markers. After the glue is set, the leaves are separated and arrayed.

proto_shaped_072317

Here is a similar leaf cluster, scored down the middle with the back of an Xacto knife. it makes it into a whole other plant.

side_by_side

Here they are side-by-side. So much potential!

And now for the frustration rant: Cricut has released a new version of their Design Space app that has inexplicably broken my SVG files — the format for my drawings used to cut all these shapes. I have been in close contact with their support staff for the last two weeks, but no answers, fixes or workarounds yet. I even abandoned Firefox for Google Chrome. It is all very tedious, time wasting and — frustrating.

Body Chan

body_chan_072217

My long-awaited Body Chan figure from Bandai finally arrived. She’s meant to be an artist’s model, or as the packaging proclaims “Pursuing Character Expression through Humanoid Action.” I had hoped to use her as a modern miniatures set figure, alongside Stormy and Zilly, or maybe to even replace them. She’s incredibly posable with like 30  points of articulation (some incomprehensible), several sets of hands, and essential modern accessories: smartphone, tablet, flip phone?, laptop, gun, katana. I so wanted to love her.

But. For my purposes, she’s too distracting: very naked (although she is sculpted with underpants on), and too slight (and anorexic) — in some areas — with thighs narrower than her lower legs, and five inches tall. Too anime. (Although this is Bandai’s express intention: “By design that commitment pulled, and reproduce the optimal head and body balance in anime characters.”)

Still. Very expressive and well-made. There is a male figure available, as well — I hope assume he has his underpants on, too. Both come in two colors: pale orange (pictured) and gray, which I thought looked like the sad shadow of death.

I know I tried to use this model outside its intended purpose, and really, it’s beautifully made, and I got it on sale at half-price, and she’ll be fun to pose in unexpected locations, so I’m not totally disappointed. Maybe tomorrow, there could be a Bandai meetup with the aforementioned characters… unless it’s just too dissonant to post.

Armature, Proto, Beloveds

3-trunk_071617

I have arrived at a satisfactory method for building yucca armatures, from wire to planting.

detail_071617

As usual, it was a process of experimentation. I walked around the neighborhood (hilly!), and I looked at a lot of pictures on Google, trying to synthesize what it is that makes a yucca trunk a *quintessential* yucca trunk.

proto4-2

This is the current result. Braxton Payne pot, torn paper over wire armature, medium green starting leaf clusters.

proto4

Outlined in Khaki, tipped in Sunflower, center stripe in Leaf Green (left). Medium green stock start, right. Very subtle.

I’m feeling good about my progress. Kits and specimens imminent!

Maddie_Ruby_071617

Meanwhile, I’m going back down to Santa Cruz tomorrow, to spend time with all my baby girls. Ruby is now one month old. Maddie is four, and wakes up first thing every morning to cuddle with her sister. This is the life.

Pots, Yucca, Color

order_071417

My order of kiln-fired terracotta pots arrived from Braxton Payne. Look at this goodness!

tiny_aged_071417

He even included a wee “vintage” hand-finished pot. It is perfect. 

yucca_071417

I’ve potted the first armature yucca proto, and am waiting for the glue to dry thoroughly before arranging the leaves. It stands 5.5 inches (14 cm) in a one-inch cylinder pot.

comparison

Oh, and here’s a color comparison on the four stocks I’m considering (with the tiny pot again, because it’s so dear). Nothing terribly surprising, but a handy reference. I think the yellow stock would be good for Sansevieria, or for yuccas with yellow edges — it’s difficult to outline this shape with markers. I’m excited to carry on experimenting!