Series, Coursework, Press, Mateo (Warming Hut)

Working in Series, small format collage studies, each 4.5 x 4 inches

I’ve been enjoying a really good, fun class from Fibre Arts Take Two featuring multi media artist Eva Kalien. Her approach to art making is thoughtful, eccentric, and encouraging — and the concept of working on several pieces simultaneously, to iterate quickly and freely, is a game changer!

I’d Rather Learn From One Bird, study, 4.5 x 4 inches

Here’s a closeup of one of a series studies. Eva likes to use printed text in her process (for many reasons) and I chose to follow… with my high school copy of ee cummings’ poetry. (Yes, I tore up a beloved book I’ve been carrying around for many years.) Although the text may not be legible, I know it’s there, a foundational layer of meaning and message, and it’s strangely powerful. She also suggests to “stop before you’re done”, another concept of surprising benefit.

In other news, I’ve ordered an early birthday present — a special thing I’ve been considering for some time: a build it yourself printing press from Provisional Press. Check it out! So very exciting, and I’ll keep you apprised. (It also means I’m going to have to clean off (and defend!) a work bench in the garage for it to live on… no small task.)

Mateo Napping on the Warming Hut Porch

He also likes to rearrange the furniture, and crop the “living” roof :/

New Tenants in the Old Sea House Leadlights building!

Well this is exciting! Studio Inki is moving into the old Sea House Leadlights building. (Leadlights needed more space and moved into the imaginary milking barn near the Warming Hut.) Interior design planning is in process, and will feature an open concept to maximize the abundant natural light and epic views. The famous Leadlights-designed windows and doors will remain. “I still really love them,” enthused the new owner.

At this point, the adobe and brick fireplace on the side deck will remain largely unchanged, aside from a thorough cleaning and new limewash. I’m very looking forward to actually completing the set of Kris Compas estate chair kits with the Pescadero thrift store dress fabric upholstery… very Studio Inki.

G: Gray, Gray + Green

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G is for the grays of a winter storm.
Sharp Park Beach, looking south to Mori and Pedro points.

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G + G, for the warm grays and bright-eyed greens of a handsome cat.
Napoleon, overseeing the Sea House Warming Hut build.

 

RIP Starla Argo v1

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I came home to find this grisly modification to Starla Argo, whom I had thought was safely ensconced in the Sea House Warming Hut, up on a high shelf. Here’s the weird part: nothing else was disturbed.

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And there’s a lot of random stuff on the stairs and deck.

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When I asked Scarlett if she knew anything about this, she sniffed Starla a few times, then galloped off down the hallway.

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I found her lounging in the kitchen sink. Her head was bobbing rapidly in that cat way of gathering as many perspectives as quickly as possible to assess if I was going to use my big voice again, which is why her face is a bit blurred.

It’s OK. Starla v1 was a learning prototype, and I had notes on changes to my technique and her design. But I am going to invest in some of those upright square plastic boxes I’ve seen stop motion animators use to store their models for v2 and subsequent characters.

What?!

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Well that was a surprise. I am wide-eyed proud to announce that the Sea House Warming Hut placed third —of more than 100 entries! — in the 2015 HBS Creatin’ Contest. (More contest results here.) Thank you for being curious and caring enough to watch and comment on my meandering mini odyssey; heartfelt congratulations to everyone who participated.

Tiny rancor is more than happy to share my five three minutes of fame :)

In other fun news, I just signed on to this 28-day challenge sponsored by Creative Live. It’s free of cost, and results are shared on Instagram (I’m nancy_k_enge). Check it out!

Sea House Warming Hut: Post-Production

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Too windy to take the finished build down to the beach, so I’m hoping to add the ocean in post-production. We’ll see if that happens :)

Earlier in the month, I took various shots from the cliffs down the road for backgrounds.

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Looking north towards the Marin headlands and the Golden Gate

 

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After printing out the various Sea House insignia on vellum, I sanded the inkjet out of them before gluing to the hut siding, to get a weather-beaten painted signage look.

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The banners announcing the Winter Fair are new, so they get to be crisp, like the oft-painted outdoor furniture.

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The tree photo above the couch is of a Monterey Cypress near Mori Point that I am very fond of. Oh dear. There must have been a temblor; I just noticed some of the wool bolsters from the top shelf are on the floor!

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Here’s a better view of the Argo Wool Works stuff (and the Peacocks rug).

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Cheval Noir (shhh, we’re pretending they’re local) is pouring some of their wine, and later there’s going to be fish chowder and persimmon pudding.

And all the bustling seems to have awoken the tiny Rancor, oh noes!

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We’re going dark for now.

 

Chop wood

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What is the sound of a digital clock ticking away the minutes to a deadline? Like the buzz of tinnitus? Or water drops in a still, clear pool? Here’s what it looks like: total bedhead me chopping tiny firewood and kindling and stacking it in place. I’m not freaking out. Well maybe just a little, for how weird the back of my hair looks. Onward!

Persimmons

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There’s a break between storms this morning, and we have seriously big waves (18–30 feet/5.5–9 meters) and we have persimmons (3 inches/8 cm)!

Or… persimmons about .25 inch (6.5 mm) depending on what part of the universe you inhabit :)

My inspiration (and breakfast):

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Thanks, Vicki, for sharing your bounty.