Rocks, Cobble, Water Features, Sunset Light

2020/02/152020/02/2812 Comments

*Sea House Conservatory Pier, ready for her water feature!*

In preparation for creating the tidal water surge under the Sea House Conservatory, I mixed up a nice ocean green base color and painted it generously on the project board. I made sure the whole 26 x 20-inch base — foam cliff landslide, boulders, cobble, gravel, old tiled patio — was well-sealed with glue or paint to prevent water leaks. Two-inch tall heavy acetate strips were cut, ready to glue to the base to form a (removable) perimeter dam.

I estimated an area about 18 by 18 inches would be covered an inch deep, then used the Woodland Scenics water estimator to see how much product I needed to buy. Two, maybe three bottles?

Um, no. No, no, no. Depending on whether I chose “Realistic ($24 for 16 ounces)” or “Deep Pour ($30 for 12 ounces)” the estimated 180 ounces required 12 or 15 product bottles, costing a total of $288 or $450. For a feature, however awesome, mostly obscured beneath the Conservatory deck, this makes no sense. Back to the ~~proverbial~~ literal project board to drastically reduce surface area.

*More cowbell! I mean, more reefs and rocks!*

After fashioning more florist foam into reefs and rocks, I glued them to the project board.

Starting this time with black Model Magic, I forged another batch of accent rocks.

*The open water feature base is realistically and financially reduced.*

The foam shoreline formations were generously sealed and detailed with a few shades of warm and cool gray acrylic and stabbing holes with a pointy thing. All base edges were given a transitional application of gravel, cobble and accent rocks. These were allowed to dry, excess gravel brushed out, and the process repeated.

“What are those white cone things?” I can hear those of you looking at this photo on your phone exclaim. What, yes! Those white things are perfect barnacles, crafted by Keli of iseecerulean.com.

(I am not ungrateful. We have a longtime water-influenced exchange going on.)

*Sea House Conservatory, under the pier*

I did a final brushing and shaking off loose gravel after the glue dried over my (1:1 life) front deck, just as the sun was setting.

You know how it is when maybe you fall a little bit too much in love with your build? That’s how it is for me right now with these sunset light photos. I have about a dozen that made first, even second cut, and they are all epic. One more, please indulge me.

I sighted through all the open viewpoints, and as I mentioned earlier, most all will be obscured once the Conservatory is in place. But I know, and now you do too, what lies beneath.

Now and Then: Chairs, Leadlights, Conservatory, Rocks

2020/02/092020/02/0910 Comments

*The first of two estate chairs for Sea House Leadlights. Probably.*

I bought two of Kris Comapas’s Estate Chair kits because I wanted to use more of this thrift store dress fabric, which I love.

*From a Pescadero thrift store strapless, bubble-hemmed dress*

*Happy little estate chair, work in progress*

It’s a rather large scale print for miniature upholstery, as well as being a very fine and lightweight fabric, but did I mention how happy it makes me feel?

*Though legless and unpiped, still a very welcoming estate chair*

Kris includes good instructions and cord to make fabric-covered piping in her kits, but I generally prefer a twisted cord made from 3 strands of embroidery floss.

*Yes, K-2’s eyes light up (when he sees me)*

Here you can see my associate K-2SO inspecting the floss piping with his massively articulated fingers. (I love him, too.)

I find attaching tiny piping gracefully onto miniature upholstery to be a tedious task, so I’m putting it off until I feel more… um, ~~articulated~~ dextrous. And patient.

The Leadlights design studio also has a new chair. Makes it look way more office-y, don’t you think? I’m really pleased with the level of quality and detail in this chair. (Ack! This photo also reminds me I want to finish tricking out the desk accessories, and to trim that orange bookmark on the last-minute-made sketchbook!)

*That brick rubble is glued down Scarlett. (Yes, she checked.)*

Work continues on the Sea House Conservatory build, with a sea level rise remediation support pier in place.

*Model Magic air-dry clay rocks and boulders*

Geologic rock and boulder construction is underway. My preferred material — think I’ve tried just about all of them — is Model Magic air dry clay, made by Crayola. It is lightweight, inexpensive, readily available, pleasant and responsive to sculpt, accepts all kinds of pigments well, and dries with virtually no shrinking.

With this last batch of rocks, I experimented with adding black acrylic paint or India ink to the white clay before sculpting. One batch had fine black gravel mixed in. The paint or ink initially made the compound stickier to work with, but it was nice to start with a pre-tinted base. These have green and gray washes spritzed on. When dry (takes a day or two depending on size and relative humidity) with a fine brush I painted the surf erosion holes and granite veins with white acrylic, diluted 1:1 with water.

As I was ordering new clay, I learned Model Magic also comes in black, gray, and “Earthtone, Bisque and Terra Cotta”. So stoked to use these colors on the next exploratory rock and boulder sets.

The finished rocks are slicked with a satin multi-purpose sealer, as they’re meant to look wet. The final Conservatory project base will have about an inch of water in tidal flow. (I’m excited about that, too, as I’ve never worked with a “water feature” before :)

*Sea House Conservatory, in progress, February 2020*

Deck planks are installed, and I’ve finally arrived at a stair design that makes sense and blends into the overall structure.

Yesterday I was at Chrissy Field in the Presidio, and took a bunch of pier photos for genuine detail ideas. It was a perfect winter’s day, cool, clear and sunny, with very little breeze.

*Looking north to the Golden Gate Bridge and Marin*

*Chrissy Field, Presidio. See the fog horse galloping over the City?*

Glorious.

Sea House Leadlights Interior, Roof; Scarlett

2020/01/062020/01/0710 Comments

The entrance to the Sea House Leadlights office is up a few stairs and across the deck to the left of the fireplace. A set of leaded glass doors opens into a snug but functional design studio.

Details: Terra cotta pot by Braxton Payne. Basswood deck and siding stained with Minwax Classic Gray. Pumpkins made from tissue paper and thread. Boulders sculpted from air dry clay painted with acrylic washes and sealed with ultra matte varnish. All succulents, yucca and other plants hand colored with W&N Promarkers. Many are prototypes; some available as kits at Modern Miniature Succulents + Sundries.)

Beneath the half-loft a large tabletop desk has plenty of room to roll out plans and inspiration. Low built-in cabinets with black leather cushions provide more seating, storage and level surfaces for tea trays.

Details: The ceiling lights are 12V modified for warm white LEDs. Bulletin board is made from cork sheet framed with basswood stained to match. Sketchbooks made from my kits at MMS+S. Various meaningful artifacts including original leaded glass designs for other Sea House buildings, and a drawing of a cat by my then 4-year old daughter. Fèves, prized vintage Monopoly shoe, and an anodized earring from the 1980s.

The white-washed brick loft stores window frames, tools, Sea House memorabilia and miscellaneous treasure — as well as the switch (lift the black basket) and battery pack (hidden in a custom box) for the LED lights.

Details: Oh yeah, the baskets and boxes are also available as kits at MMS+S.

A gazebo-style roof welcomes natural light. (I’ll detail more of that happy construction in another post.) I made the 1:144 scale basswood model of the source kit for the original Sea House Pavilion, built some years ago. The Egyptian cat is a porcelain fève. Best of all is the vibrant painting by Jim Tracey that commands the studio — also another post.

Finally, of course, Scarlett. Here she has somehow managed to fluidly infiltrate an impossibly small entrance to the Sea House Sea Rise Pavilion loft (my ongoing remodel of the original 2013 build.) I swear she does these things just to remind me she can.

Oh, how she makes me laugh.

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Design

Tag: one twelfth scale

Rocks, Cobble, Water Features, Sunset Light

Now and Then: Chairs, Leadlights, Conservatory, Rocks

Sea House Leadlights Interior, Roof; Scarlett