Category: observation

What?! Echeverias, Yes, again

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I got a new eight-petaled punch, about 5/8-inch (16 mm). It has spawned a whole new genus of succulents. These are punched from a sage green cardstock painted with an acrylic wash. After lengthy fooling around, I prefer detailing each shape with markers.

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Here’s where my documentation lapses. Profoundly. I call Sunday, North American time change, and very good California champagne.

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I’m really happy with the end result, and will be more mindful to share my steps. It’s basically three punched and shaped forms, and then a lot of individually applied shaped petals. Or leaves, whatever they’re called. This version more closely approximates what I see in parts of my own succulent garden.

This is also where I *really* want to buy a laser cutter, to be able to realistically emulate the considerable varieties of succulents and cacti. What do you think? Anyone else out there enamored of miniature succulents to want to make them in their boundless assortment? Do you know of anyone already making kits?

Equivalents Homage

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equivalents

Inspired by the great 1938 poster in my wood working class, I was motivated to make my own version for picas and points. It’s the traditional measurement system of graphic design, but it also works really well (as I’ve pointed out before) for 1:12 scale building plans. Six picas to the inch, twelve points to a pica. Enjoy :)

Nope.

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I am not going to meet the HBS bloggers build deadline for September 26, 2016, and I am using cute kitten photos to distract from my mingled sense of failure, regret and self loathing.

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I *have* met all my work and all most of my volunteer deadlines.

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Feel free to judge me, but look at my belly first :)

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Though I will continue — and finish —  the build, I’m more than a bit scattered and distracted with other projects.

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Sweet dreams, best beloveds.

 

Observation Without Judg(e)ment

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I’ve been exploring a system of geometric patterns in both my professional and personal work for a little while now. This is the background, composed in Illustrator at one-quarter scale, for a new piece.

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After penciling in the three-inch grid on a 36 by 24-inch (61 x 94 cm) stretched canvas, I used a compass and straight edge to transfer the background design. Then it was a happy trip down old-school graphic design production memory lane as I wielded eighth-inch (3 mm) black crepe line tape to sketch out the shapes.

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I used shades of white, warm gray, brown and green acrylic for the underpainting.

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After adding a thin ivory wash and letting that dry, I pulled off the black tape. I’ll now add… other background stuff, and paints, and determine what final hue and value of gray to re-stripe (by brush) the outlines. Although I have some definite intentions, as usual, I’m making it up as I go along.