Carrying On

Memory of a Grid. Posca dots and punch-cut asterisks, painted tissue paper, found paper, 10×10 inches

I’m learning to come back to a piece and listen.

These are offcuts from a later collage, and proved to be missing parts for the Grid Memory composition. See if you can spot them in the finished piece! Also beautiful in their own right.
This one, made in early October, was a surprise winter holiday card, 4.5 x 6 inches

I was getting frustrated with my results and overwhelmed with choices working at larger sizes. I found freedom in smaller sizes and more rapid iteration.

Snippet. Screen-printed/painted tissue papers, 5 x 7 inches

And I also found freedom and joy in slicing up the larger unsuccessful pieces for the smaller compositions, like this snippet. It’s empowering to deconstruct a work that’s just not. Or just throwing! it! away!

Crazy, beautiful collage cat Maxine (actual photograph, not a collage, real cat)

(Just realized there’s not nearly enough cat pictures in this post)

Cheers to you all, and best of vision in all your endeavors

Thanks for reading along and feeling my pain in adult learning and artistic expression. May your winter holidays be loving and bright, full of good coffee and rational and/or goofy conversation and companionship. 2025 coming right up!

Small Studio Remodel Progress

Sense is being made in the new Studio Inki space

Mostly a lot of standing and staring, and getting distracted going through the many bins of collected miniature treasure, but I’ve constructed my dream standing-height work surface along the back wall, and assembled a pair of paper storage units from Melvins Miniatures, very satisfying. Alpha Stamps has a set of mini rulers and triangles that make the work surface more functional and desky. Having fun printing out scaled versions of my collages and mounting them on boards to hang and/or display on an easel. Adorable! The exquisite leather cowboy boots are vintage, handmade way before everything was 3D printed; sadly artist unknown to me. One of my paper bags serves as a temporary trash bin. (I’ll have to throw a lot of paper scraps on the floor around it for realism.) The pumpkins are one of the first miniature things I ever made that I was happy with, from wads of plastic film bound tightly with thread and covered in small shreds of tissue paper and acrylic medium. Potted yuccas and succulents are production samples from the MMS+S kit days, all in Braxton Payne terra cotta pots. And the vintage Kunstlerschutz Wagner flocked pig is an old dear friend who’s come to live in the studio to keep us all company.

New Tenants in the Old Sea House Leadlights building!

Well this is exciting! Studio Inki is moving into the old Sea House Leadlights building. (Leadlights needed more space and moved into the imaginary milking barn near the Warming Hut.) Interior design planning is in process, and will feature an open concept to maximize the abundant natural light and epic views. The famous Leadlights-designed windows and doors will remain. “I still really love them,” enthused the new owner.

At this point, the adobe and brick fireplace on the side deck will remain largely unchanged, aside from a thorough cleaning and new limewash. I’m very looking forward to actually completing the set of Kris Compas estate chair kits with the Pescadero thrift store dress fabric upholstery… very Studio Inki.